In his recent video, Kai Wong showed you five 50mm lenses you can buy for less than $100. This time, he shows you a Chinese “bokeh master” – Kamlan 50mm f/1.1 manual focus lens for APS-C bodies. It’s a bit more expensive ($170), so it didn’t get onto the previous list. But judging from Kai’s review – it’s a keeper. Don’t let the price fool you.
No matter what genre of photography you’re into, I’m sure you have your favorite lens(es). Manny Ortiz does mainly portrait and has two lenses he’d recommend to any portrait photographer out there. The 50mm and the 85mm are his lenses of choice, and he explains why he thinks every portrait photographer should own them. Let’s see if you agree.
A 50mm lens is probably the first lens most of us bought after we got the camera. They are generally affordable, especially if you go for a f/1.8. But if you’re on a really tight budget, or just want to satisfy your gear acquisition syndrome without guilt: Kai Wong has a video for you.
In this video, he suggests five great 50mm lenses that cost well under $100. So if you’re looking for your first or for another 50mm lens, check out Kai’s suggestions.
After many years of experience using different lenses, I now have resorted to only using a single prime lens. I started with a 50mm then added an 85mm, 35mm, 100mm and 28mm to my collection, and I’ve played around with zoom lenses. But now I exclusively use a 50mm lens. No more zooms and no more choices. But why would I volunteer to limit myself?
What is the best lens for street photography? There are many articles and discussions on this topic, and every photographer has their own suggestion and a personal favorite. In the new Kai Wong’s video (a.k.a.
Digital rev Kai) , you can see all three of these lenses compared in the streets of Hong Kong. So, what’s the judgement?
Sony have today announced the release of the full frame Sony FE 50mm f/2.8 Macro lens. This announcement doubles the number of lenses in their full frame macro range to two. It also gives those looking a “standard” lens an option other than the FE 50mm f/1.8, and the ability to focus much closer for 1:1 magnification.
It features many of the same design and features of its longer sibling, the FE 90mm f/2.8 Macro G OSS lens. Of course, this one has no image stabilisation. It does, however include dust and moisture resistant, focus-range limiter, focus-mode switches and a focus-hold button.
It’s been a long time coming for Sony shooters, but they now have an official fast standard lens available with the newly announced Sony Planar T* FE 50mm f/1.4 ZA. No longer do you need to mess around with metabones adapters and put up with limited autofocus capabilities, at least, not if you want a 50mm f/1.4.
Similar in construction to the FE 35mm f/1.4, the 50mm is weather sealed, and uses Sony’s Super Sonic Wave Motor for fast and near-silent autofocus. The aperture ring can also be “declicked”, if desired for video shooters.
Zeiss has launched its new line of full frame primes for Canon and Nikon DSLRs, called Milvus, with no less than six new lenses being announced today.
Using an adapter, the Milvus lenses can also be used with Sony’s α7 mirrorless system.
The lenses’ high contrast rendition, uniform color characteristics and low level of stray light are said to make them ideal for HDR videos and resolutions of 6K and above.
Ranging in focal length from 21mm to 100mm, including two macro lenses, all the Milvus lenses are manually focused.
So, a while back Chinese flash maker Yongnuo stepped into the optics realm and started making a 50mm 1.8 (aka the Nifty Fifty, aka fantastic plastic, aka, your second lens).
The Nifty fifty was never an expensive lens, the Canon version is about $115, but if you are super frugal you may be tempted to check the $60 cheaper Yongnuo lens. Photographers Tony & Chelsea took the lens for a spin comparing it with the twice as expensive Canon version.
I’ve been a professional photographer for 6 years and like most photographers I have invested in a number of high quality lenses (check my kit over at InMyBag), but have recently concluded that this has been a waste of money.
It’s not that these are not great lenses, but I truly prefer to use a single lens.
At first, I used other lenses and always changed lenses during the shoot. Once I started using my 50 mm prime lens, I slowly started using the others less and less, until now I shoot everything with that ones.
I’ve hesitated from selling my other lenses because they can occasionally be useful for some jobs, but what 50 mm gives to me, it’s totally great. I feel comfortable with it, and now I know it so well, that I really do use it constantly.
So, here’s why I think that you only need one lens to make world class images: