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Is 4:2:2 video worth it? Can you even tell the difference over 4:2:0?

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The difference between 4:2:2 and 4:2:0 along with 8-bit vs 10-bit was a hot discussion back when the Panasonic GH5 was announced. It was the first small form factor camera to offer 10-bit 4:2:2 internal, and it confused a lot of people. It still seems to confuse a lot of people, but even if you do understand it, can you even really see a difference between 4:2:2 and 4:2:0?

While only offering 8-bit colour, not 10-bit, Gerald Undone decided to compare 4:2:0 recorded internally on his Sony A7III with external 4:2:2 recorded using the Atomos Ninja V to see if you can really see a difference in the footage. It may not be as significant as you might think.

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This is what 10Bit 4:2:2 video actually means

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The new Panasonic Lumix GH5 will record 10Bit 4:2:2 video internally, but what exactly does that mean? how will it benefit you? Isn’t video just video? Why is this such a big deal? No, video isn’t just video, and it means quite a great deal.

Fortunately for us, Filmmaker Griffin Hammond is here to explain. In short, it offers more tone in colours with less risk of banding in gradients. It makes it easier to chroma key or green screen your footage. It also makes it easier to correct and grade your footage with minimal loss.

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