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Overhyped camera gear you absolutely shouldn’t buy – unless you know why you need it

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When I first watched this video, I thought “well, I’ve got like five of those things on his list and I find them quite useful”. And you’ll probably feel the same way. But you have to remember who this video from Raphael Ludwig is aimed towards. Mostly beginners.

Every time a new piece of gear is announced, there’s a lot of hype and people new to photography and filmmaking get sucked in by it. Every new filmmaker thinks they have to have a gimbal, a motorised slider, a drone and a bunch of other stuff simply because they don’t know any better. And, well, the video’s right. Most of the time they don’t need it.

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The Infinite Looks Photoshop plugin gives you a million different grades for your images

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Most of the time when we shoot an image, we have a pretty good idea of how we want the final result to look, even before we’ve hit the shutter. But sometimes we want to experiment and see how the image might look processed a different way. And maybe now and again we’ve no idea what we want to do with it and just want to see what our options might be.

Well, the new Infinite Looks plugin for Photoshop from the folks at Infinite Tools lets us do that quickly and easily. It utilises a million LUT files to create an endless amount of different grades that you can preview with just two simple sliders.

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The easy way to create colour grade LUTs in Photoshop for your videos

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Lookup Tables (LUTs) are a wonderful feature of most video editing software. They’re sort of like presets that allow you to get a consistent look across multiple clips that when edited together form a sequence. They allow you to remap one set of colours and brightnesses to another.

Generally, there are two different types of LUTs. Corrective LUTs and creative ones. This particular video from Nathaniel Dodson is more about creative LUTs. Looks that you can give to your videos for artistic effect. He shows us two ways to create them using the Infinite Color Panel, as well as manually with adjustment layers.

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LUT myths busted – What they can and can’t do for your footage

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LUTs, or Look-Up Tables, were relatively unheard of until a few years ago. Now they’re everywhere. It’s like everybody has a LUT pack available for download. But, just as with Lightroom presets, LUTs are not a magic bullet. They can’t make a bad shot look amazing, and they can’t relight your scene.

This video from Casey Faris is a follow-up to an April Fool prank he posted at the beginning of this month. The prank was about the new Pegasus “Magic LUT”. It was an amusing video, but quite a few people fell for some of the things mentioned early on in the video. This time, he breaks LUTs right down to cover exactly what they can and can’t do.

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Create 3DLUTs in Photoshop to colour match multiple video cameras

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One of the trickier aspects to shooting video is dealing with multiple cameras, and more specifically having to match the colour and contrast of footage recorded by each of those cameras to each of the other cameras.

Well, in this video from IWLTBAP, your life’s about to get a whole lot easier. In it, we see how to use Photoshop to correct a frame of a clip from one camera, to a frame of a clip from another, using Photoshop’s Match Color feature and then export out a 3DLUT using their free LUT Generator.

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How to colour correct and grade your video and stills with 3D LUTs

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3D LUTs, or Look-up Tables, are nothing new.  They’ve been common in the digital film industry for a good while, but it seems only recently that they’re starting to be embraced by individual filmmakers and photographers.

But what are 3D Luts?  Put simply, they’re a tonemap.  They take the hue, saturation and brightness (hence “3D”) values of each pixel in your image, and change those values into to something else.

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