It looks like Ilford is about to make film photographers happy in about ten days. On its official Twitter page, the company has announced a recent release of new film stock in several different formats, with the launch date of 24 October.
Comparing Real film grain to Adobe Lightroom film grain
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In my never ending search for that “special” photographic look that sets me apart from the competition, I recently discovered that overexposing film increases the grain and adds a vintage pictorial look to my images. So I wanted to explore that look further. To that end, I wanted to find out if this film grain can be copied in the digital world using Adobe Lightroom. So I went out and shot a few rolls of film and shot the same images with my digital camera. I used the same lens and F stop for each image. (Well, almost the same F stop. I made a few mistakes but it was close enough for my purposes)
This beautiful short film takes you on a tour behind the curtain at Ilford’s film factory
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I find shooting film is a fulfilling experience, especially if you develop and print your own rolls. But what does it take to make the rolls of film you shoot, the chemicals, and the photographic paper? ILFORD Photo has recently published a beautiful short film which takes you “behind the scenes” of its UK factory. If you’ve ever wanted to see how all things film are made, this movie lets you take a peek inside the facilities and see what happens before the film reaches the shelves.
LomoChrome Metropolis is a new colour negative film with rich blacks for contrast lovers
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For those of you who still enjoy shooting film, here comes interesting news from Lomography. The company has just announced the LomoChrome Metropolis XR 100–400, the first new color film in more than five years. Lomography explains that it “pays homage the mother of all colors: black,” giving your photos a unique look and feel.
Film photographers, beware of this fake Fujifilm which can mess up your developer solution
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If you shoot film, pay attention to what you’re buying. There have been reports that fake Fujifilm 35mm film has appeared on the market. The company warns that this non-genuine film can contaminate your developer solution, which can definitely pose a big problem.
Yashica doesn’t give up: launching three new cameras and two films on Kickstarter
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Despite the digiFilm Y35 proving to be a major fail, Yashica doesn’t seem to give up. The company has launched another Kickstarter campaign, funding not one, but three new cameras. In addition, it also plans to launch two new 35mm films, one of which has already caused quite a stir.
After its digiFilm fail, Yashica launches a 35mm film. Photographers are furious
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As if the digiFilm’s epic fail wasn’t enough, Yashica is now launching its own 35mm film. Yes, that Yashica, the company that trashed the iconic Japanese brand’s name by launching a plastic piece of junk version of the Electro 35.
The new 35mm film has been promoted on Yashica’s Facebook page, and it’s bad from the very start. The bad Photoshop job of the promo image shows that it could be just another scam, which has provoked a fierce reaction in the community.
RETO3D is an $80 3D film camera for modern photographers
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If you shoot film and want to try something new, there’s an interesting new camera coming up. RETO3D is an affordable 3D camera aimed at film photographers of the modern day. It relies on the already familiar concept of 3D film cameras, but it sells at a way more affordable price.
35mm film vs. medium format vs. full frame digital: is shooting film really worth it?
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Although it has been a while since digital cameras took over the market, some photographers still prefer shooting film. But is shooting film really worth the money, time and effort you put into it? How different it really is from shooting digital? In this video from Shutterstock, Logan Baker compares 35mm and medium format film with a full frame mirrorless camera to show you how they compare.
DX Encoding – What it is and how it became a standard for the analogue age
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Have you ever wondered how some film cameras just know what speed ISO (or ASA) film you’re loading into it? Well, have you ever noticed those black and silver squares on the side of the roll? That’s called DX Encoding and that’s how the camera knows what film you’re using.
This video from photographer Azriel Knight goes deep into the origins of DX Encoding. He talks about how it was created, how it works, and how it was received when it was first introduced. And, no, it’s nothing to do with Nikon’s 1.5x crop cameras.
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