Landscape photography is one of those genres where lens choice is a hotly debated topic. Everybody has their favourites, and people always seem to argue about what’s “best” or “essential”. Mads Peter Iversen tackles this topic in the above video and believes you can shoot just about everything you need with just three lenses.
A while ago Sigma joined the L mount alliance along with Panasonic and Leica. Although it wasn’t really till recently that we started to see the true results of this collaboration when Sigma released their new fp camera. They also released several “designed for mirrorless” lenses like the 14-24 f2.8 Art DG DN. Those lenses are both smaller and lighter than their DSLR counterparts.
One of the new features of the 14-24f2.8 Art DG DN lens is the built-in rear filter holder. It allows you to lock in a gel filter, which you can cut using the template provided with the lens.
This is a relatively inexpensive way to reduce the amount of light coming into the camera. I used to cut ND gels to fit into my MC-11 adaptor and while they worked, the gels could easily scratch, bend and crease, while also reducing image quality a little. I don’t know, maybe it was the particular ND gel I used.
What if you wanted something that is more durable with better optical performance, but without needing a huge 150mm filter system to attach onto the front of the lens?
Other than the tiniest full frame mirrorless, there are a few more novelties from Sigma today. Three of them, to be exact. Sigma has just announced three out of four rumored lenses for Sony FE: the 35mm f/1.2 Art, 45mm f/2.8, and the 12-24mm f/2.8 Art. We finally have more details of the specs, prices, and availability, so let’s check them out.
Well, that was quick. It was only yesterday that word leaked that Sigma had a 14mm f/2.8 pro zoom in the works. There weren’t even any leaked photos. But now, it’s official Sigma has announced the new 14mm f/2.8 DF HSM Art series ultra wide angle zoom lens. Although how long you may have to wait for it to be able to actually get your hands on one is anybody’s guess.
It’s been a while now since Nikon’s 100th anniversary products were teased in February. But now, Nikon have finally announced pricing for all of the 100th anniversary equipment. Anniversary and other limited edition kit is often seen as quite collectable. As a result, much of it is simply purchased and put in a display cabinet, never to actually be used.
The actual anniversary isn’t until July 25th, but the products are available to order now through authorised Nikon retailers. The items will be available until August 31st, 2017, so there’s only about an 11 week window if you want one. Below is a rundown of the anniversary products available, along with the price of the regular edition version of each item.
It’s not exactly a secret that Nikon is celebrating its 100th anniversary this year. But what has kept many in suspense is exactly what camera bodies they’ll use to celebrate it. After all, Nikon has a history of creating special and exclusive cameras for various events. Now it seems there are special 100th anniversary editions of both the Nikon D5 and Nikon D500 bodies.
There also seems to be a 100th anniversary edition of the “Holy Trinity” lenses. The Nikon 14-24mm f/2.8G ED, Nikon 24-70mm f/2.8E ED VR and 70-200mm f/2.8E FL ED VR. In all cases, the typical black finish seems to have been replaced by a rather pretty gunmetal grey.
Canon Rumors reports that the existence of the EF 11-24 f/4L has been confirmed and several retailers have been provided with info about the lens.
Expected to set you back $2899 ($3100 in Canada), Canon’s new ultra wide angle will be the widest rectilinear lens ever produced for DSLRs.
Despite a maximum aperture of f/4, will this lens put an end to Canon shooters jumping ship in favor of Nikon’s legendary 14-24?