Catchlights may be a small detail, but they’re very important in portrait photography. In this video from Light Club, you will learn why these little reflections of light are so essential and what they can do to make your portraits more powerful and help you send a message.
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Eyes are the windows to the soul and a very important element in every portrait photo. In this video, photographer David Bergman focuses on a very particular part of portrait photography – catchlights. In only two minutes, he’ll teach you why catchlights are important in your portraits. But he also shares a tip about what you can learn what you can learn from other people’s photos only by analyzing catchlights.
A while back we featured the Eyelighter by Westcott. It gives really gorgeous catch lights and helps to provide fill and light from the bottom. A little after we saw a first DIY version of the Eyelighter which involved bending PVC pipes using hot sand and an industrial fan. While the results of this DIY were really nice, not everyone wants to go through the efforts connected with bending PVC pipes.
Here is an easier (though not as sturdy) alternative for building a DIY Eyelighter courtesy of Isiah Xiong.
DIY is where we started, and we love to return to it whenever possible…especially for tutorials like this.
Columbus, Ohio-based photographer Nick Fancher believes that you can “studio” anywhere, turning the most ordinary locations into quality pseudo-studios. In this video (after the jump), Nick shows us how he constructed a simple and portable v-flat lighting configuration using (what appears to be) foam board and tape.
Here is a fun trick that can help you quickly discover (and design) the look of catch lights in your photo.
Catch lights is the photo-lingo for the reflection of the light that you see in one’s eye. Most catch lights are rectangular in shape and are positions on the top right (or left of the eye) as they reflect a rectangular softbox.
But if you are using any other type of lighting, or simply want to see how a catch light will look like in any particular scenario, this quick method by Frank Donnino is perfect and takes practically no time.[Read More…]
It has been said many times before, the eyes are one of the key elements that photographers try and capture.
Here is a little video showing a technique that I picked up from Scott Kelby. The book was called Professional Portrait Retouching.
If you want to follow along. I have have made a few little notes.[Read More…]
Shooting with only available light can be quite a challenge sometimes. The same goes for shooting in small spaces, as well as shooting in ugly locations. But what happens when all three conditions meet? Can you imagine taking professional-looking fashion photos in a tiny, ugly backyard shed with nothing but available light? Irene Rudnyk can, and as a matter of fact, she did an amazing job shooting in these conditions. In this video, she shows you how she did it, so you can learn how to take magnificent shots even in impossible conditions.
Being able to look at an image and understand the lighting within it is not crucial to becoming a great photographer. But having the ability to look at another image you love and recognise the qualities that stand out to you will undoubtedly help you to become a better photographer far faster.
Last week we looked at how important being able to understand light can be and I also highlighted where many self-taught photographers struggle with this in today’s industry. If you missed last weeks article then I recommend you take a look to see some of the pitfalls self-taught photographers can struggle with as today’s article leads on from that.[Read More…]
For this picture, we colored the background by using light. What sounds as if it should be straightforward does come with its pitfalls, as you’ll see. We chose cyan as the background color because it complements the model’s blond hair and the bare skin in the picture. Her clothes were therefore neutral in tone: a gray jacket and black underwear.