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Humor: This Diagram Shows The Creative Fear Of Committing Work

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Committing work is not an easy task. Hitting that save button for the last time and shipping your work may be frightening. Your work is leaving your hands and it no longer under your control. Whatever greatness or mistakes that you’ve put in are there forever now.

I guess, this is why committing to a final version of a file is so hard and creatives go back to editing their files again and again. This phenomenon should probably have an entry in the DSM next to GAS (Gear Acquisition Syndrome). Maybe something like RCS (Re-editing Compulsion Syndrome).

This funny diagram by @akshar (Akshar Pathak) and @theyashbhardwaj perfectly illustrates this fear of commitment (and also a shocking lack of file versioning system).  While originally for designers, this applies to any photographer too. Can you relate?

 

Backup Workflow using BitTorrent Sync and Crashplan

Backups! We all need them, we hardly make ‘em!

Over the years, as a digital artist, I have on occasion lost bodies of work. I lost them when building a new PC, I lost them when my drive crashed, fell, burnt, and I even lost them while watching in horror as I mistakenly said yes to “are you sure you want to format drive D”?.

Data keeps piling up, and to keep everything archived we need at least double the amount of drive space.

Luckily I don’t do animation anymore so my projects aren’t that super large anymore, but I have been photographing and editing work for a couple of years now and the data pile keeps growing. Next to that I kept running out of space locally, and kept buying new drives for my Drobo to accommodate my expanding archive. The problem with new drives to store your projects is that you need to copy your data over and over, you get sloppy, you forget projects, you ignore folders, and in the end you lost some precious pictures in the transfer process.

I’m a creative artist, and even though I have OCD tendencies, I get bored with tedious tasks and mistakes are easily made.  I needed a better backup plan to safeguard my body of work, without having to spend too much time on this task.

Now there are numerous ways to maintain a backup, but I’m going to share one that has been working for me the past few years, and makes me feel secure about my data.

here’s my hardware setup:

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Dear New Photographer…

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I’m writing this post because I was up late last night on a Facebook forum, reading close to 200 comments about new photographers and what slime they are to the industry. How they’re stripping photography of it’s “art” and destroying any decent business practices. I read every comment, feeling more and more sick to my stomach the further I scrolled down the page.

“Who do these people think they are? Don’t they remember when they were new and making all the same mistakes?”

I know this year has probably had it’s ups and downs for you; the excitement of booking your first paid gig, the confusion of all that “must have” photography gear and the hurt and guilt of being single-handedly blamed for “ruining the industry.” I know the phrase “what to charge for engagement photos” is probably one of the first things to come up in your Google search bar, and secretly you’re still wondering why using the eraser tool in photoshop is such a horrible thing.

I also know that you’re afraid to ask for advice at every turn because for every established photographer that is willing to help, you’ve got 30 more breathing down your neck that are doing everything they can to cut you down. I’ve been there too – I’ve had my work ripped apart online by a “reputable” photographer (who went out of business earlier this year), I’ve bought things I didn’t need because some famous photographer endorsed them and I thought it would make a dramatic improvement in my work (it didn’t), and I’ve used the crap out of the eraser tool (layer mask, folks).

So what I wanted to do here is give you a heads-up. A bit of a rant mixed with some advice I wish I had known in the beginning, this is just about everything I wish someone had told me the first day I got that used and slightly beat up (but still very new to me) camera in my hands.

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Dancer Shoot Anatomy – The Workout

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I’m Antoine Willaeys, I’m a French 25 years old photographer & retoucher from France. I am, at present, creating a series of various images with artists and athletes during and after their workout. I really love these different universes and the stories which we can see there. Every person is different and every image has its strength. I chose to create this series, every time, in the same way : as a composite.

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