Hi, Ilko Allexandroff here, in this post I’m happy to share the behind the scenes for one of my favorite shoots that was shot in the rain. Conditions were far from trivial and I’ll share some of my secrets as well as information about my location choice, lighting and how I usually shoot in rain.[Read More…]
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Looking on the back of the camera to see if you got a shot properly exposed can be misleading. The LCD may not be calibrated showing a too dark or a too light image. Or the sun hitting the LCD can be laying tricks on you.
Yet there is a tool, that is often ignored that can give you a very quick and good indication if you exposed correctly – The Histogram.
In a nut shell, the histogram is a graph that show how many pixels of each brightness level are present in a frame. John Greengo of CreativeLive give a full back to basics course on photography, in this installation he discusses the Histogram in very easy to understand manner.
Generally, John mentions that you would want a histogram that looks like a mountain with a strong peak in the middle and a slope that goes out to either end. While specific captures may be unique, (such a capturing snow, or night shots), a strong peak on the right may indicate an over exposed image, while a strong peak on the left may indicate an under exposed image.
Harry Potter and the Half-Blood Prince is one of those films that I have a bi-polar appreciation for. Because of the decisions made by the studio to build momentum up to the last two films of the franchise, the sixth installment ended abruptly and anticlimactically. Along with that is a number of other criticisms I have with it, almost all of them relating to differences between it and its book counterpart, and I’m pretty sure they make the Half-Blood Prince my least favorite film in the Harry Potter series. But where this film polarizes me is in its cinematography, which is arguably the best ever done by the series altogether.
Out of all the films in the series, Harry Potter and the Half-Blood Prince is the only one that was nominated for an Oscar for Best Cinematography; that fact isn’t a surprise at all, either. The cinematographer behind this film was Bruno Delbonnel, who’s also known for his work on Amelie, as well as the recent Coen Brothers’ film Inside Llewyn Davis. He may arguably be the most well-recognized cinematographer the Harry Potter series ever had.
If you thought that shooting underwater is hard, wait until you hear about this macro-stacking-150,000-photos timelapse project.
Daniel Stoupin is a marine biology PHD student in Queensland. This obviously gives him a lot of material to shoot in his other job as an underwater videographer. Slow life in particular combines both his loves -marine life and underwater photography.[Read More…]
Posts that illustrate the cost of running a photography business and deriving an hourly (or a daily) rate from it are becoming somewhat of a standard. (We even did one ourselves, and here is another one). Those posts make a strong connection between the cost of doing business (renting a place, buying a camera and so on) and the fees that a photographer need to charge.
The team over at Salesographer makes what I think is a very true statement about the fact that the money you charge should have nothing to do with how much it actually costs to produce a shoot. It has everything to do with the value you bring to the table. They actually go right against those cost sharing posts and say that:[Read More…]
It was a very exciting competition, and a lot of fun to photograph some of the worlds top sport climbers.
In this article, I will explain my strobe lighting setup for photographing the action, and my remote camera setup as well.
If you think Adobe, you think software. With the release of new iOS applications for iPad, Adobe today also announces new hardware to break into the market previously dominated by Wacom. With the release of a new stylus and digital ruler, Adobe has come out swinging by turning the iPad into a high definition graphics tablet.
Previously, Adobe have excelled in producing software and dominated within the photographic and design industries. Now, with new hardware, they are further cementing themselves as the leader of innovation. If you own an iPad already, no longer will you have to buy a graphics tablet in addition, which you likely use with Photoshop anyway. Instead, by using the free iOS apps, particularly Adobe Photoshop Mix, these two pieces of hardware allow you to expand your work into areas you may not have previously ventured with fine control in editing and design work around your photographs.
I find this bold step fascinating. Adobe has long had a firm foothold in the industry as a software giant, but now it is taking that extra step to go further. The hardware items are listed below:
As part of Adobe’s 2014 Update Bonanza! taking place today, there are a number of changes that are tailored purely for photographers. Adobe has long been associated with desktop photography software, but the company has been taking notes and listening to its customers and tailoring the experience for their key market.
Despite initial criticisms of the Creative Cloud subscription service, Adobe have embraced and furthered the software. This is largely with thanks to the access Creative Cloud has provided. Through the service, Adobe has been able to constantly drop updates and micro-features to customers as well as identify key areas of use and gather constant feedback to improve their services.
While there are many updates to other apps and the release of multiple iOS apps today, we will focus purely on those relevant for photographers. There are exciting changes to both photography applications within their Creative Cloud range as well as to their subscription formats.
Personally, I am still using Adobe Photoshop CS5. I purchased it while still a student (before I had to pay full price, although a trip from Australia to the US to buy the software may have been nice…) and I have never found a reason to justify the upgrade to CC services. Simply, the plans have never really enticed me for what I needed. They have always been a touch expensive for my liking (especially at first within Australia upon release) and offered me more than I have needed.
Today, I’m excited. With updates to Photoshop with very cool new functions that almost makes my CS5 look like a version of MS Paint with a nicer UI, and a new plan that has been created purely for photographers who only want applications applicable to them, I know that I will soon be throwing my credit card at Adobe. Add to that Adobe’s break into the hardware market, and today is a big day for Adobe.
Every shoot is made from awesome scenery, awesome subjects and a solid concept to tie them together. Photographer Benjamin Von Wong, Broncolor’s newest GenNEXT ambassador, teamed up with a few of Israel’s top sports extremists to produce an unconventional shoot against the walls of Jerusalem.
Having a low budget set meant gong for creative solutions when the location could not satisfy the vision that Ben wanted. Among these solutions were hanging on the rope from the old city walls and piggy backing Tomer Jakobson who was forced to meat a new interpretation to the phrase “supporting a shoot” [Read More…]
Okay– so, let’s be clear about something. He’s not actually MY cat. We happen to coexist in the same house, thanks to my wife and son convincing me in ways only they know how that it was time for a new pet and that he was just the pet we needed. Personally, I’m a dog person. Seamus and I, however, seem to have a love-hate relationship. As in we love to hate each other. Call it a restless detente. That may be overstating things just a bit, but this cat spends quite a bit of his time pissing me off. I actually believe he schedules it in some sort of kitty tablet (there’s an app for that). It wasn’t until recently, though, that I realized this havoc-wreaking creature that my son loves so dearly might actually be able to teach a thing or two about photography.