I’ve already used those DIY reflectors in a couple of my articles but I’ve never actually did a full post explaining how they are built and used. I want to show you how easy it is to make this reflector and how useful it can be. Definitely a good use for $1.50. It actually takes around 5 minutes to make it and you can make it as big or small as you need.
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We all love the dark demon eyes looking back at us from a picture or movie. It just tells you that that model you’re looking at will devour your soul, damning it to hell for all eternity.
And here’s how you can turn your models into soul-hunting demons and have them look cool at the same time. It’s a subtle trick but it will give great impact to your image.
If you are lucky to have a good concept you’ll probably make sure you have some black sclera lenses for your model to put in. But if you don’t have them there’s an easy way to get the effect in photoshop as well.
In the video below I’ll walk you through the steps to create such dark eyes.
Guest post by Robert Mitchell. Hit the bottom of the post to see his links.
When assembling a lighting kit, it’s very difficult to know which modifiers are best for the type of work you want to do, and sometimes you don’t know or are discovering what you want to shoot. There are reflectors, umbrellas, square and rectangular softboxes, octabanks and a wide variety of accessories to shape and alter the quality of light.
So how do you know what’s best for you?
In many cases you don’t. If you have no experience then you don’t have any preferences formed and most of the tech talk is of no use to you and makes little sense. One person’s preference may not at all be what you like and it may not work within your budget.
I’ve chosen 7 common light modifiers of varying sizes and shapes, and I’m using modifiers that are , for the most part, inexpensive. Nothing very small and nothing terribly large. This is not an in-depth review, nor is it a light modifier showdown.
It has been a year since I started writing for DIYP and it has been a wonderful experience sharing works and tutorials to the world, including getting to read comments (and the occasional troll which gives me a laugh from time to time) and for this one year anniversary post, I want to run down and make one blog about my personal and favorite tutorials.
One of the holy grails of beauty retouching is perfect eyes. Actually, getting good lighting on the eyes would probably be one of the first things you would lean in a beauty retouching workshop, maybe after perfecting skin. One of the “secrets” to getting good light on the eyes is getting a slight moon-shaped highlight on the bottom of the eye. Dave Piper covered that a while back on his eye’s retouching tutorial, but what if you wanted to get this in camera?
I just stumbled upon this great lighting modifier over at Neil van Niekerk’s Tangents blog. It is called the The Eyelighter and only does one thing, but it does it well: It provides a light that gives an arched reflection in the eye.
Having a good workflow from camera to web is key. It should be noted that this workflow not a wedding workflow or a image heavy workflow and is one of the more expensive setups. I guess you could call this a premium workflow or a high end workflow. It is designed for photographers who are all about quality over quantity. If you are putting out 8-10 high end images per shoot, have paying clients, you have busy sets and pressure deadlines, this might be the set up for you.
Capture One (Capture) > Capture One (Develop) > Photoshop > Lightroom > SmugMug > WordPress
The interesting here is that each step is using the best program or tool.
Ever since I started photography I had a thing for lighting. Nowadays, every time I see a picture, I can’t help it but to analyze and breakdown how it was lit. In this article I will share my analyzing process, step by step.
I believe understanding light can make a huge improvement to any photographer’s work, and practicing light-analysis is definitely one of the better ways to do it. When was just starting out, analyzing light on Flickr photos I love was a huge learning experience for me.
There are plenty of way (or tricks) to analyze light, this is how I do it, feel free to share yours too.
The first thing I do is break down the lighting into 4 hint-groups: Catchlights, Shadows, Highlights, and Background lights.
One of the things that we constantly obsess about is lighting. How was this lit; what were the lighting ratios; was the light soft or hard; If you know all the answers to these kinds of questions you can recreate the lighting of a scene.
Once your lists are set up, put the ball where the model is and take a snap. Since the ball reflects all 360 degrees of a scene it capture any light sources around it. Combined with the fact that it is black it makes it easy to spot any reflections.
Now, you do have to understand light to actually be able to reverse engineer the ball reflections (I strongly advice both strobist 101 and the Light Science & Magic Book for that), but if you can do the reverse engineering , this is away easier that figuring out the shadows.
[Super Geeky (and Effective) Trick to Replicating a Photo’s Light | CreativeLive via ISO 1200]
P.S. into shiny little objects? check our tip about marbles and catch lights.
The backgrounds we use for our shots make a big difference in the final photo. I have covered quite a few options before, all are pretty accessible and today I want to share another quick and budget minded technique – using wall paper or colored paper for your background. (See these if you need some backdrop inspiration: illustration board, white background & gel & DIY wooden table).
I first saw this being done on flickr and wanted to give it a try. Here are a few ideas on using different paper backgrounds plus few tricks on lighting.[Read More…]
I have encountered many people that think they are very limited because they only had one light (usually it is one speedlight), and I always tell them that most of my photographs are taken using a single light; From portraits to product shots. To put my money where my mouth is, I am sharing all those photos and tips – all using only using one speedlight.
Why use one light, you ask? There are many reasons:[Read More…]