In his project titled Sicario, a work like any other, Swiss/Italian photographer Michele Crameri published a series of photos depicting hitmen in Honduras. The project has won many awards, but the photographer is now being accused of staging the photos.
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A group of boys in Baraboo, WI assembled for a junior prom photo and posed with a Nazi salute. One of the boys posted the image to Twitter with the caption “We even got the black kid to throw it up.” In the midst of public outrage, it was revealed that a professional photographer not only took the image, but directed them to “wave goodbye.”
Robert Doisneau is famous for one of the most romantic images of the 20th century, Le baiser de l’hôtel de ville (Kiss by the Hôtel de Ville). But, his work goes way beyond this iconic photo and it’s filled with humor and soul. In this video, Martin Kaninsky of YFM Street Photography will tell you the story of Robert Doisneau, who was considered a champion of humanist photography.
With the recent polemics surrounding a certain image that won a photography competition this week, I feel like we need to talk about travel photography. About people photography, in our case. And to set up boundaries as to what’s acceptable in both cases. Honestly, in my opinion, it’s a matter of common sense – but it seems that’s not enough. We still witness some shocking scenes in the world of travel photography these days.
Let me be clear: My goal isn’t to attack or criticise any specific, or specific group, of photographers. I don’t know these people. I’ve never met them. But the whole circus that events such as these have created is, in my book, very disturbing, which is why I feel it’s important to discuss the topic in general.
Eye-rolls, shrugs, and barbs greeted the $120,000 Grand Prize winner of Dubai’s HIPA Photography Prize. Malaysian photographer Edwin Ong’s photo of a partially blind Vietnamese woman carrying her baby was derided for representing yet another “poverty porn” contest winner before it was suggested that the image was staged by photographer Ab Rashid.
Photography is a wonderfully dynamic form of expression. It is technical, artistic, timeless, evolved. We are in a phase in the industry where cameras and lenses are being designed to take images of mind-blowing quality. They are getting sharper and producing better color than ever before. Autofocus systems are to a point where you can tell the camera which eye to track. The focus of the industry has undoubtedly shifted toward technical perfection.
However, amidst the ever-improving image quality, we often lose the emotional connection that images from generations past have. The more we focus on how sharp the lens is and what settings someone used, the more we forget about why we started taking photos in the first place.
University of Dayton Research Institute (UDRI) recently published a video showing what happens when a drone hits the wing of an airplane. DJI claims that the video is unrealistic, misleading, and damaging to the company’s reputation and to the drone industry in general. Consequently, they demand that UDRI withdraws the video immediately.
Most of the photographers are very selective about what they put in the portfolio, and that’s understandable – you only want to show your best work. But what about those photos you wouldn’t really consider your best? Should you just delete them? In this video, Chelsea Northrup shares her view on taking and keeping even those “crappy” images. They might mean to you more than you think.