Makeup is an art form on its own, and as photographers, we all know how important it is to work with a good makeup artist. But some artists take their craft to a new level and turn it into amazing optical illusions. Serbian makeup artist and skin illusionist Mirjana “Kika” Milošević is one of them. She uses makeup to transform herself into stunning optical illusions. Most of them are dark, weird and creepy, but there are also many of them which are funny and amusing. But they all have one thing in common – they all look fantastic!
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What does it take to push a farmer to this point?
The point where, fed up of thousands of disrespectful photographers, wannabe “influencers” and narcissistic tourists, they feel the only way to get them to stop damaging their business and property, is to damage those people’s photographs?
I guess those visiting the lavender fields of Valensole, Provence – in the south of France, just found out.
Shooting in a studio has its advantages. But although being warm, dry and convenient are greatly appreciated, shooting between the same four walls can get a little boring if you’re constantly using them as backgrounds for your shots.
Sure you could get some coloured paper setup, you could even buy a fancy canvas sheet with paint splashes on it, and for the really adventurous, you could even use some coloured lights behind your subject. But what happens when you’re finally bored of all that? Time to get a little more creative with your studio backgrounds.
Being able to look at an image and understand the lighting within it is not crucial to becoming a great photographer. But having the ability to look at another image you love and recognise the qualities that stand out to you will undoubtedly help you to become a better photographer far faster.
Last week we looked at how important being able to understand light can be and I also highlighted where many self-taught photographers struggle with this in today’s industry. If you missed last weeks article then I recommend you take a look to see some of the pitfalls self-taught photographers can struggle with as today’s article leads on from that.[Read More…]
Earlier this month, Luminar introduced Flex, a plugin that brings Luminar tools to third-party apps. The Luminar team also did a little research to see what plugins for Photoshop are currently available on the market. As a result, they have come up with this extensive list of Photoshop plugins.
The team has collected over 100 different plugins you might find useful, no matter if you’re a photographer, retoucher, designer or do any other creative work in Photoshop. You can check them out below and choose those that you think would work best for you.
In this article, I look at what LEDs actually are, how they started out and where they sit in the world of photography now. Many photographers have switched over to using LEDs, but do they have a place in your kit and why aren’t we all using them?
To avoid making this one article ginormous, I aim to separate it out into three parts. Part 1will be the pros and cons of LEDs, part 2 will be testing a variety of coloured LED bulbs in our strobes and part 3 will cover using them on a model shoot including advice and lighting diagrams.
As a street photographer, I accept that I have a bias towards the kind of work and criticisms I prefer to seek out as an audience to the work of others – although there are examples of landscape or portraiture that I do enjoy it is street photography and photojournalism that take up the majority of my interest.
I know that photographers and the photography community, in general, is a passionate one and that there is no shortage of critiques available for any work or opinion that creators choose to share. However despite knowing that there is criticism in every area of the art I still feel that some of the criticisms leveled against street photography as a genre as well as specific examples of street photographs are harsher than any I’ve seen in, for example, landscape, or portraiture.
Hey guys. This morning I woke up and deleted all my social media. My Instagram, Twitter, and personal Facebook accounts (I deleted my Facebook business page a year earlier), all gone. I ghosted from the party. As a small business, it’s a bold move (if not insane) to walk away from such successful pages (I had over 60,000 followers between the three platforms). But I had had enough, and here’s why.
I believe we all now and then are envious of others’ photography — their skills, the conditions they experienced, the epic locations they visit, the accolades they receive and so on. We can either let this emotion make our lives miserable or we can channel it into something positive where we strive to improve our own skills and develop our talent. In other words, we turn envy into inspiration and motivation. May the tremendously gifted photographers featured in this article inspire you just like they inspire me. Each of the photographers has written a few words about themselves.
It was in August 2013 that I by accident stumbled upon the red cabin and its surrounding lake. I assume the location has been photographed before my first attempts at capturing its inherent beauty and charm. Owing to the fact that the lake is a drinking water reservoir for a whole community I am very reluctant to disclose its exact location — also in the hope of protecting it from Instagram trophy hunters.