First shown off at NAB 2019, Gudsen has now announced availability and pricing for the Moza AirCross 2. It weighs in at only 950g with a 3.2kg (7lb load capacity), contains a 3,000mAh battery offering 12 hours of runtime, it fits the Blackmagic Pocket Cinema Camera 4K (and 6K) natively without weird offset brackets and it’s only $429.
Search Results for: natural light
We all make mistakes (and learn from them), and we’ll make so many different ones on our learning path. But some mistakes are more common than others. In this video, Serge Ramelli talks about the five most common editing mistakes photographers make in Lightroom. Do you recognize your old or current self in any of them?
With a heatwave rolling over America & Europe, photographers are going to be dealing with some pretty direct light. Here are some tips about dealing with harsh shadows and high contrast.
This blog is pretty good timing, as I have just come back from a shoot in the UK. 10 lucky winners in association with Sigma UK and Amateur Photography Magazine, had won the chance to come down to London and photograph two traditional Geisha (Mai Watanabe and Chiyono Watanabe.) I was asked to set up the shoot & help with the lighting as part of the day.
Photographing Geisha’s on a London Rooftop with the direct & bright sun was not ideal. But with some thinking, we worked out a set up that was pretty good. The main objective of the shot was to show the color of the face and keep the flat color tones. I wanted to show the makeup as much as possible. Getting the image as soft as possible while still showing the colors in the silk was another objective. The bright sunlight was very overpowering and creating deep shadows.
Aputure has come a long way since its founding in 2005. Every year they bring us an array of newer and better lights, and occasionally something that’s just a little bit different. But one light that got a lot of attention at NAB 2019 in Las Vegas a few months ago was the Aputure 300D Mark II.
Well, now it’s available to buy and is shipping now. The Aputure 300D Mark II builds upon the original in a number of ways, sporting a new enclosure, with a new control unit, wireless capabilities and it’s 20% brighter than its predecessor, offering 45,000 lux output with the reflector at one metre and 80,000 lux with the Fresnel attachment.
When the iPhone X came along with its Portrait Lighting effects, a lot of people were very impressed. Apple was even claiming that you don’t need studio lighting at all anymore or any other fancy equipment. You just need your phone. And while the iPhone hasn’t taken over as the portrait photographer’s camera of choice, it’s an intriguing concept.
A concept so intriguing that researchers and engineers at UC San Diego and Google have taken it a few steps further. They’ve trained neural networks to relight portraits after the fact without requiring any 3D depth data and with a lot more control than a few Apple presets.
Shooting in direct sunlight is something most photographers and filmmakers avoid. The light is harsh and not very flattering, but sometimes you’ll be forced to shoot in such conditions. In this video from Cinecom, you’ll learn five simple tricks to make the absolute best out of harsh midday sun.
That title is a mouthful, but I didn’t know how to better describe the style. Over the years, I’ve been refining and perfecting my newborn photo technique to get the specific light and airy high-key look I want. It’s important to know that I specialize in in-home lifestyle newborn photography, so my technique below is specific to that. While every home I visit is different, and some are more challenging than others, these strategies below have given me the best and most consistent results.
A couple of years back, It was difficult for me to get accurate colors while post-processing an Image. I had been struggling to get my head around Adobe Lightroom just to get right colors in my images.
I was having a hard time editing the skin colors of newborns and portraits. I was seeing a strong yellow color cast in my nature and wildlife images. I was wondering how to get rid of it. In an image, the colors of the shirt were different than the actual colors of the shirt. I was clueless about how to identify and remove the color tint, green color reflection from the eyeglass. And the list goes on…
The Godox V1 is the new and somewhat controversial round head speedlight from Godox. The controversy is a topic for another discussion, although feel free to do so in the comments if you really feel you have to. For now, we’re going to take a little more of a look at the Godox V1 flash itself.
This morning, the folks at Pixapro received a pre-production unit – it’s essentially the same as the final thing except for the firmware version. They brought it into The Photography Show and I had the opportunity to take a brief look at it and have a little bit of a play. So, I’m going to quickly go over some of the features that stood out to me, and my overall first impressions of the Godox V1 round head speedlight.
This is the second part of a three-part series of articles on LED lights for photographers. Part 1 looked at the pros and cons of commercial level LED lighting for photographers so if you missed it, here’s a link – Do LED Lights Have a Place in Your Kit? – Part 1: Pros & Cons.
In this weeks article, I aim to test a selection of cost-effective, coloured LED bulbs that can be used in your strobes instead of regular tungsten modelling bulbs. Are they any good? What creative options can they provide to us? And is it worth spending a little more to get some decent ones?