An inventive UK based photographer has devised a light painting method that has been yielding him some pretty spectacular photographs. Combining long exposure techniques and inexpensive LED lights, Martin Kimbell, is able to create geometric (and 3 dimensional) spirals of light that make it look like a scene straight out of a sci-fi movie.
Search Results for: natural light
I will admit that I am a little snobby when it comes to anyone who proclaims to be a “natural light photographer”. To me “natural light photographer” essentially equals “beginner that doesn’t know how to use light”.
However, with a little influence from a certain ruthless stock editor 😉 some of my work has been evolving into a more natural and organic look, and I have to admit I am really starting to enjoy the simplicity!
In this article, I am going to describe how I used natural light to photograph this series of photos of a woman practicing the cello and discuss some of the characteristics of natural light photography.
With the increasing popularity and availability of waterproof point and shoot cameras, waterproof action cameras (like GoPro) and even waterproof camera phones (like the Sony Xperia), we’re seeing more and more underwater photography.
Concurrently, the style of underwater photography that we’re seeing is evolving from the more traditional scuba diving sea-life photos, to more everyday fun-in-the-water lifestyle shots.
But, taking really good underwater photos is a little trickier than it may seem – so I thought I’d share some of my top underwater photography tips.
We all know and love the legendary lighting manufacturer that is Profoto. For decades, they have produced and supported the most durable, powerful, and consistent lighting equipment for professional photographers around the world. In recent years, they have pushed the lighting industry forward with the introduction of the B1 and B2 and their OCF system.
These new lights have changed the way photographers work by allowing for unheard of flexibility and mobility. Ever the innovator, Profoto has given us something we’ve always wanted, but never thought to ask for.
Creating big soft natural looking window light on set presents some real challenges. Whether it’s for stills or photography, it’s not always straightforward. Sometimes we get lucky with our environments and they actually have great big windows. But often that is not the case. It’s a desirable look, and one that’s worth learning how to achieve artificially.
In this video, Jay P Morgan goes over the lighting setup for a shoot he did with Zuma Juice. This was a video project, but the same principles apply with photography, too. While most of us won’t be shooting on a set the size that Jay uses here, the technique can be scaled easily to smaller spaces.
Setting up a home studio in a small space isn’t always easy. That’s especially true if you need to use it as a regular room, too. You need something that’s easy to setup and break down. But, if you have a space with a nice window or access to continuous light sources, it’s pretty straight forward.
This video from photography Mathieu Stern shows how he sets up his temporary studio for shooting headshots. He uses minimal equipment, and it produces very effective results.
The Godox V1 is the new and somewhat controversial round head speedlight from Godox. The controversy is a topic for another discussion, although feel free to do so in the comments if you really feel you have to. For now, we’re going to take a little more of a look at the Godox V1 flash itself.
This morning, the folks at Pixapro received a pre-production unit – it’s essentially the same as the final thing except for the firmware version. They brought it into The Photography Show and I had the opportunity to take a brief look at it and have a little bit of a play. So, I’m going to quickly go over some of the features that stood out to me, and my overall first impressions of the Godox V1 round head speedlight.
This is the second part of a three-part series of articles on LED lights for photographers. Part 1 looked at the pros and cons of commercial level LED lighting for photographers so if you missed it, here’s a link – Do LED Lights Have a Place in Your Kit? – Part 1: Pros & Cons.
In this weeks article, I aim to test a selection of cost-effective, coloured LED bulbs that can be used in your strobes instead of regular tungsten modelling bulbs. Are they any good? What creative options can they provide to us? And is it worth spending a little more to get some decent ones?
My name is Andrea Belluso and I used to define myself as a fashion and beauty photographer.
To be great at lighting in photography is much e¬asier than you might think. I see most photographers making things way too complicated and spending way too much time thinking through their lighting and trying to achieve the perfect picture.
All this eventually leads to frustration, irritated clients, and eventually considering photography a job like any other. In order for you to maintain fun and pleasure in your photography and being as excited with every single picture you take as you were when you took your first picture, it is vital to have the element of freedom and adventure with every single shot.
So, how do you do that? Simple, it’s all in your approach to lighting.
Lighting is not a technical thing, it is a way of creating feelings, emotions, and moods. The technique and technical equipment are just there to help us. Just like brushes and paint are not what creates how a painting makes you feel, they are simply tools that used in one way or another will change your mood once you look at the painting.
So here are 6 tips on getting better at lighting and having more fun and ease with it.
Oftentimes, it’s only a small trick and a discreet detail that can make a significant difference to a photo. Food photographer Joanie Simon of The Bite Shot has two lighting tricks that will add a new dimension to your food images. They are simple to pull off, yet they’re effective and can really make a difference. Check them out in the video below.