If you are even remotely interested in photography, I’m sure you’ve heard plenty of tips about how to improve at it. Some of them are truly golden and helpful, but there definitely are some that we should disregard. In this video, James Popsys shares nine of these photography tips he has been given, but which he believes you should ignore. So, have you also been given these tips? And do you follow or ignore them?
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The number of photography-related tips we’ve heard so far is difficult to count. However, there are some tips that all of us have heard dozens, if not hundreds, of times. But despite being so common – are these tips really worth listening to? In this video, Kai Wong brings you some of the most popular photography tips you’ve probably heard many times. Should we keep them, modify them, or kill them completely?
Before a presentation we did during a bad-weather day on a photography workshop I co-guided in Northern Norway, I was asked to give my best advice for landscape photographers. I wanted to talk about some slightly different topics rather than repeating standard tips such as ‘straighten the horizon’, ‘use f/11’ and ‘photograph during golden hour’.
These tips won’t make an instant change to your images but they are essential to be aware of if you want to develop your craft and grow as an artist.
Shooting video on a smartphone has become far more commonplace now than it used to be. Even for quite serious projects. And, sure, it was part of a Samsung Promotion, but even The Tonight Show has now shot an entire episode using nothing but Samsung Galaxy S10+ Smartphones.
But what can we do with our own phones to help up the production value in our smartphone videos? In this video, Zach Ramelan shares 7 tips to help you get the most out of your smartphone video footage to produce better results.
Landscape photography comes with a wide range of its joys, but it also faces you with a lot of challenges. Regardless of the difficulties you may encounter, landscape photography is a beautiful art form that can improve your life. In this video, Adam Karnacz of First Man Photography explores some of the joys, rewards, and challenges of landscape photography, and reminds you why it’s all worth the effort.
Sarah is a Hawaii/San Diego based commercial photographer, best known for working in and around the ocean and her instantly recognizable style. Sarah’s work has been featured by National Geographic, Instagram, CNN, Cosmopolitan, Marie Claire, Pelican, H&M and many other international brands.
Full disclosure: I am a big fan of Sarah and her work. Her work is absolutely breathtaking and I love that she’s been able to build a successful career around such a niche subject that she clearly has a profound passion for. I find her approach to photography and the industry very inspiring – I hope you do too!
When you’re taking travel photos, you might want to carry as little gear as possible. It’s great to grab just your camera and one lens so you can walk around the destination without too much baggage. But when limiting yourself to a single lens, which lens should it be? For Julia Trotti, it’s a 35mm f/1.4. In this video, she gives you five reasons why this can be the only travel lens you’ll need.
The golden hour is probably the time when most of us would choose to take photos. But, there will be times when you’ll be forced to shoot in a harsh midday sun, for one reason or the other. You can bring reflectors, strobes, or try to find or make a shade. But in this video, Manny Ortiz will give you some quick tips on how to embrace the direct sunlight and turn it into your advantage without any gear but your camera and lens.
Picture this: you come home after a great day out photographing and you’re excited to look through all the beautiful images you’ve captured. However, after importing them you realize that they’re all garbage because they’re blurry.
I’m sure you’ve experienced that, as have the majority of us. Personally, I’ve had to throw away several promising images due to them not being sharp.
In a perfect world, you’d come home after every session with 100% of the images being tack sharp but unfortunately, that’s rarely the case. However, there are certain elements you should be aware of and take into consideration when in the field, that will reduce the likeliness of your images being blurry.
Listed in this article are the most common reasons why your images aren’t razor sharp.
I’ve been wanting to try this experience for a long time now and finally got the opportunity to shoot a roll of expired Agfa Precisa CT 100 then got it crossed-processed in C-41 chemistry by my lab Nation Photo.
Precisa is probably one of the least known slide films that exists (at least it was to me) and I honestly had no idea how it would perform, knowing that it expired somewhere in 2005. After investigating a little, it appears that Precisa is actually a repacked Fuji Provia 100F but it costs half the price!