Every now and then I am contacted by my friends at East Dunbartonshire Leisure and Culture. I help them to document events or artwork installations as part of the Trails + Tales Project. This particular art installation by Toby Paterson, where he placed stained glass windows into the watchtower of Cadder Church, has its own set of unique challenges for me to overcome which I would like to talk about.
Search Results for: composite photoshop
First reviews of Photoshop for iPad are here. And they say it’s horrible
Over a year after the initial announcement, Photoshop for iPad was finally launched last week. But judging from the first reviews, even this was too early. Truth to be told, Adobe admitted that some features are yet to come. However, judging from the early reviews, the app seems to be terrible.
How to stack Milky Way shots and composite them with your own custom foreground
Sometimes, the scene before you that you want to shoot just doesn’t line up with the sky that you want. Maybe it’s cloudy every night or perhaps the Milky Way just rises and falls on the wrong part of the sky. But what you can you do about it? Well, after watching this video from astrophotographer Milky Way Mike, you’ll be able to shoot and composite your scene exactly the way you want it.
Here are five tips for realistic photo composites in only 90 seconds
We’ve seen some stunning work created by combining photography, Photoshop and lots of imagination. But when you start compositing images, one of the greatest challenges is to make them look realistic. In this video from Advancing Your Photography, Rikard Rodin shares five tips for raising your photo composites to a new level, and all that in only 90 seconds.
Watch how I created this highly stylized composite portrait
I always tell everybody that with only 30 minutes of practice a day you can become a master at Photoshop, all you need to be is consistent. And I honestly believe that. Most people will probably put more time in than that, I know I did for sure! But as a bare minimum, 30 mins a day would still work.
Quick Tip: How to create electro-magnetic effect in Photoshop
If anyone follows me on social media you may have seen my recent image which I created from Neostock stock model resources and some background stock. Well, I thought I would create a photoshop tutorial based on this image.[Read More…]
This solar system photo was composited from photos shot from a photographer’s backyard
Photographer Andrew McCarthy has recently published a breathtaking image of the Solar System. The photo is a composite made from the images he took, but what makes it even more impressive is that all the photos were taken from his own backyard. Andrew shared some details with DIYP and explained how he got all the photos, as well as the final image.
How to automatically match colors in Photoshop in a few clicks
When creating composites, it’s important to match the colors of the shots to make the result look realistic. There are several techniques for doing this in Photoshop, and in this video, Aaron Nace of Phlearn will show you a rather simple one. He’ll teach you how to match colors automatically in just a few clicks.
The composite genius of Colin Anderson
Colin Anderson is a photographer and digital artist from Austrailia. Considered a generalist, Colin’s work is stylistic, conceptual and often narrative based. A vision, that has been shared with such diverse companies as Adobe,The United States Air Force, Accor, AMP, Compaq, Dell, Discovery Channel, EMI, Esanda, Fuji,Harper Collins New York, Hayman Island Resort, Hotel Sofitel, IBM, Ingram Micro, Kodak, LG, Maxtor, Mecure Hotel, Merrill Lynch, National Geographic Channel, Newsweek, Panasonic, Penguin Books New York, Random House New York, Samsung, Sheraton, Telstra, Toshiba, Warner Bros, Universal and many more.[Read More…]
Shoot for better composites by choosing your background first
As an artist who shoots mostly composites, more often than not I’m going to be cutting out my subject and placing them in a different scene. A lot of the time I only have a rough idea of what kind of a background I’ll be using, so I just shoot my subject as best as I can and figure out the backdrop later. Sometimes I have no idea what I’m going to do with my model, but a wise and incredibly good-looking man once said, “You don’t always need a plan.”
HOWEVER, if I do a shoot knowing full well what my background looks like before I even pick up my camera, it makes everything a million times easier.
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