This visit was for a portrait shooting on a collodion wet plate and we did also a short wet plate workshop. After the videos from Mathieu and myself, you can see all the pictures and read more about the shootings
Search Results for: wet plate collodion
I’ve been experimenting non-stop with a few new daguerreotype techniques, and however promising the results are looking so far, those experiments are slow going, and I’ll release at least part of it hopefully soon. But here’s something I thought up and was able to execute in a relatively speedy manner, which I believe warrants a look. I don’t believe this method of making a panoramic image has ever been utilized before, so I’m dubbing it ‘Antorama’.
As a fan of wet plate collodion, I’ve been following the work of photographer Ian Ruhter for a few years now. I first found him after he converted a truck into a huge mobile wet plate camera. He then built a camera to make the world’s largest ambrotypes, as large as 46×59″ (117x150cm).
Now, Ian’s gone even bigger, to try to take the world record. So, he and his team, Silver & Light, turned an abandoned house into a huge wet plate camera to make an insane 66×90″ (167x229cm) ambrotype on a 200lb sheet of glass.
Photographing a group of people on large format wet plate needs a lot of power. Even with a relatively wide f/5.6 aperture, with an ISO of around 0.5 that still needs a lot of light. How much light? Well, around 7500 watt-seconds to be precise.
That’s how much power photographer Markus Hofstätter used for this group portrait of Austrian rock band The Black Proteus. Although, surely being photographed on wet plate makes them a metal band now?
I’ve seen some rather interesting Halloween photos cross my desk over the past week or so. Few that are quite as interesting as this project from photographer Markus Hofstätter, though. Shooting some Halloween portraits on large format wet plate. Best of all, he shot a behind the scenes video showing how it was done. While it’s not a 360° video, it makes some fairly heavy use of a 360° camera, with some pretty cool effects and transitions.
Photographer Kevin Klein set out to build the world smallest wet plate camera. Not only it is beautifuly crafted, it actually works. The camera takes tiny pictures using a simple double convex Kevin Salvaged from his collection.
It is build from 1/32″ plywood and various other wood materials (i.e. tooth picks) and takes a 1/2″ square plate.
In a previous post, I shared how I converted my Afghan Box Camera into a slide projector. The principle of the slide projector involves putting a light source at the back whose light passes through some condenser lens. The light then goes through the slide and finally pass the projector lens and be projected big on the projector screen.
I have been shooting 4 x 5 color transparencies or commonly known as color slide film for many years but the best that I could enjoy them was to put them on the light table and viewing them through a loupe. Unlike my 35mm and 120 slides, I have never seen them projected big simply it is not easy to locate a 4×5 slide projector.
For the last few years, I tried searching online on how to do it yourself (DIY) and build a 4x 5 slide projector but no one seems to have made them before. There are commercially produced 4×5 slide projectors although I have never seen one in real life. I have not even seen them on the used market on eBay before but even if they are available they are going to cost a lot and even more to ship.
A few years ago I built an ultra-large format camera that is 24 inches by 24 inches. While it was a pretty huge camera, it was a simple build it was just two square standards, one for the front and one from the back which was connected by a big bellow.
There was no support base or focusing rails and I just support the two standards by using two tripods so it was not the most stable camera. After a while, I dismantled the whole setup and recycled the wood and the bellows so I thought that would be the end of my Ultra Large Format (ULF) camera building adventures but who knows a while back, my friend passed me a big lens and it got me thinking of rebuilding an ultra-large-format camera again.
Towards the end of last year, Tetenal Europe GmbH, one of the largest and possibly oldest manufacturers of photographic chemicals in the world announced that it was entering a restructuring phase to help save the business. Now, according to imaging + foto-contact, Tetenal HQ in Norderstedt, Germany has informed their employees that the company would be closing down, and is expected to shut the doors completely on April 1st once the current production runs have completed.