When shooting portraits in a studio with artificial lighting, the possibilities are endless. But if you’re looking for something simple, beginner-friendly, yet very effective, look no further. In this video, Manny Ortiz shows you one of his favorite beauty lighting setups. It uses two lights, a single light stand, and gives you beautiful and consistent lighting in every shot.
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Quick tip: Use tent pegs to stop your light stands falling over on location
One of the most common questions I see on social media, especially just after somebody’s posted an image shot on location with flash, is “How do you stop your light stands from falling over?” – which isn’t an unreasonable question to expect. When it’s just you and your subject, how do people stop their light stands from falling over?
Well, you could carry a bunch of heavy sandbags around with you, or make sure to hire an assistant for all of your location shoots, but photographer Wayne Speer has another idea – especially when shooting in locations with soft ground. He uses tent pegs and rope.
Canon patents new triple hybrid image stabilisation system for shooting low-light video
Canon saw a lot of backlash from consumers after it announced the new EOS R and EOS RP mirrorless cameras. Why? Well. amongst other reasons, because they didn’t have any kind of in-body image stabilisation. While Canon has many IS lenses for the EF mount, which are compatible with their mirrorless cameras through the use of an adapter, this just wasn’t enough.
Next came the announcement that future Canon RF mount bodies would have IS, but now it looks like they’re going a little overboard. A new patent published last week shows that Canon isn’t happy with the standard dual-hybrid stabilisation most systems use. Oh no, they’re developing a triple stabilisation system.
Rotolight begins legal proceedings over alleged patent infringement and copyright theft
Rotolight has today begun high court proceedings against Vibesta B. V. and F&V Photographic Industry B.V. for alleged infringement of its intellectual property. The dispute has arisen over the release of the Vibesta Peragos Disk light, which looks remarkably like the Rotolight Neo 2 on first glance.
The Vibesta Peragos Disk was launched in the last couple of days, and several websites that had previously announced its launch have now taken those articles down. While there are a few differences in functionality between the two lights, there are some pretty obvious visual similarities, too. And those similarities don’t just extend to the product design. Vibesta appears to have used Rotolight’s own marketing images, too.
LED lights could be included with the pop-up flash on Canon DSLRs, new patent reveals
An integrated flash can come in handy for photographers, but it’s useless for vloggers and video makers. However, a new Canon patent could resolve this. It shows a set of LED lights integrated with the pop-up flash to provide DLSR video makers with a continuous light source.
How to get great and consistent colour with different brands and qualities of light
One of the biggest issues for those looking to expand their lighting setup is colour consistency. Even expensive ones can be very slightly out from each other. Even within a single brand, different models or generations of light can also be a little different to each other. But the problem is especially so with cheap LED lights, which often have huge colour shifts.
There are ways to work around this, though, and this video from Tony Reale over at Creative Edge shows us how. It does take some experimentation and work, though. But, once you’ve done it, you’ll know exactly how far out from each other each of your lights are. Then you’ll be able to quickly correct those colour shifts in the future before you’ve even turn the lights on.
Sony Grabs a Lytro-Esque Patent for Light Field Sensor Technology
Lytro’s one of the few companies out there that are pioneering in what’s called “light field” technology; their light field sensors basically take in massive amounts of data and process them into a small picture that you can interact with. The final result helps achieve a sort of post-focusing effect you’d find in Google Camera’s Lens Blur or the HTC One M8’s double-sensor camera. Back about two months ago, Lytro announced a camera called the Illum – one of the first major steps in making a camera like that reality while keeping the specs a bit up to date.
But right now, the technology’s still in its growing stages. The Illum is a first, but at the same time it’s retaining a hefty price tag of around $1500. It’s needless to say that there’s still a lot left to be done with this technology before it can actually be that profitable. Just recently, Sony took a big step for the future of light field sensors by grabbing their own patent for light field sensors. According to the patent [warning, geeky read], apparently Sony has a way to get past some of the limitations that light field sensors bring to the rest of the technology implemented in. Put that together with the fact that this is Sony we’re talking about, which both has the tech power and the market interest, and you’ve got a pretty promising look at what the future might hold for these new sensors.
Hobolite is a new LED lighting brand inspired by the Golden Age of Hollywood
If you’re a fan of retro-looking modern tech, this one will be right up your alley. It’s a new brand, Hobolite, producing lights with a very old-school Hollywood vibe. The initial range is built around three different models. There’s the Mini, Avant and Pro, each with different power outputs and capabilities. However, one thing they all have in common is wireless remote control.
The company says that all of the lights are designed to “work together as one cohesive smart system”, with optimisations for portability and ease of transport, setup and mobility on location. The lights boast a high CRI of 96 – although that’s become pretty standard these days – and are bicolour, with a white balance range from 2,700K to 6,500K.
How we shot the Christmas Tree Cluster from 2,500 light-years away
Most amateur Astrophotography images have a total integration time of between one and four hours. This is the total time that the shutter is open (even if with several images stacked). We decided to spend 81 hours on this picture which is our personal record.
We shot NGC 2264, a spectacular piece of space tat is mostly occupied by the Cone Nebula and the Christmas Tree Cluster and a few others). Going from a four-hour “exposure” to an 81 hours exposure is not a giant leap, but a series of steps. This is how we got here.
Build your own DIY Loupedeck for Lightroom
There have been a number of DIY console projects and custom keyboards out there for people to build already, but I quite liked the look of this one. It comes from photographer and high school STEM teacher, Adam Iannazzone, to make his life easier when using Lightroom. It’s a simple design based on an Arduino, and it’s one of the few I’ve seen that actually contains dials as well as buttons!
It’s called the Lightroom Macropad, and it does what many such DIY projects do. It uses the Arduino to simulate being a keyboard. When you press a button or spin a dial n the device, it sends one or several – if you programme your own macros into the code – keystrokes to make your computer perform whatever action you’ve set that button to. And you can configure it to do pretty much whatever you want.
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