Typically, when packages are shipped internationally through DHL, they’re put on large wooden pallets so that they stay separated from other larger packages that might crush them along the way. They’re one of the reasons international shipping costs you so much. Here’s a video of a pretty unusual scenario; This camera store got a Nikon battery charger – the NH65 – shipped via DHL. When they receive the package, it comes with an entire pallet, loaded with a big box, with the 1 pound, 2″ by 2″ by 7″ product box taped inside. Looks like DHL might have forgotten to take off the extra box and pallet at some point. [Read More…]
OK, sure that’s a bold statement, and for me it just may be true. I believe that the mirrorless camera is and will continue push the DSLR as we know it aside. Its progress and its coming. If you do not agree you may just have to accept it, even the greats in Glass like Carl Zeiss are making lenses for the mirrorless systems, they see where photography is going too. So, let me tell you why I think so.[Read More…]
If you’ve been following the Urbex movement, you know what they do, they post amazing photograph from old and forgotten places.
If you want to join in, though, you may quickly discover that getting inside the circle of locations is not easy. In fact, it is extremely hard. Those abandoned locations are not shared over the net, and usually if you asked an urbexer where a certain photo was taken you would get a vague response. Those locations are kept in secrecy and are only shared in a very close circle.
This may be infuriating, but there is a lot of weight under that decision. Here is one story to demonstrate why locations are kept secret:
It’s confession time. I’ve been struggling lately with my creativity. The client work is fine. It’s the personal work– the stuff that’s supposed to satisfy my soul between the paid gigs– that’s taken a dip. I have a few theories, but a funk is a funk and sometimes the harder you try pushing through it the deeper it gets. Chances are I’m just over-thinking it. After all, we’re talking about art, right? You’re supposed to feel it, not think it.
Did you know that that when you use a polarizer in a wet forest, the color come out more vibrant because of the water’s effect through the lens?
Up until today, the only two things I knew about polarizers were that they make things go black when you put two together, and that they’re a feature in my American Optical Pilot Aviators (insanely affordable for their quality). Photographer Steve Perry, however, is so passionate about the polarizer that he made a ten minute long video tutorial over it. And don’t let that throw you off; this video doesn’t waste time. He spends ten straight minutes teaching you about polarizers, and it’s one of the most informative little pieces I’ve seen for a while now.
Yesterday we shared a story about a couple of drones flying at an NYPD helicopter and putting it at severe risk. Well guess what, A recording from LaGuardia airport Air Traffic Control tells a different story all together.
Yesterday’s story was about two individuals, Remy Castro and Wilkins Mendoza, who were flying their quadcopters over George Washington Bridge in New York while a police helicopter was patrolling the area. Yesterday, the story was about how the helicopter had to take evasive action to avoid a hit. Remy and Wilkins were arrested.
I’ve been following Richard Terborg for a few years now and have always been amazed with the amount of creativity and passion Richard delivers to the world. When he agreed to do an interview for DIYP I was literally jumping through the roof. Here goes:[Read More…]
Framing very selectively in-camera, you can very often pull out quite a surprising image out of “nowhere”.
With Julia and Luis’ wedding, I roamed around the reception venue – a bed & breakfast on the Jersey shore, for interesting spots. There were interesting nooks and crannies that would work for the romantic portrait session. But I also like adding variety, especially unexpected variety.
I went through a back-gate, and into a parking lot behind the venue. This gate was the delivery entrance for the venue’s kitchen, and the parking lot was, well, just a parking lot.
But, I loved the texture of tye wooden fence and gate, and the late afternoon sun really brought out the texture. I hurried back inside and asked Julia and Luis to join me – I think I may have a great idea! I shot it using the following settings: 1/250 @ f/5.6 @ 200 ISO – available light only Nikon D4: Nikon 24-70mm f/2.8.[Read More…]
Ever since I saw this custom made motorbike of my friend Tapeta I knew I was going to take this shot. Today I am going to share how it was made.[Read More…]