For the last four or five years, I have tried to produce one annual workshop for aspiring architecture and interior photographers. While I hope that they are technically helpful and the students come away with new skills and knowledge, one thing that I’ve noticed is that every year each workshop inevitably transforms into a session of group therapy for all involved.
I guess it’s a sign of the times, but I get sent far more LED lights to test than any other light…. even though I never personally use LEDs.
When I say I don’t use LED lights, it’s not because I have a dislike for them, but for me, they have limitations that I struggle to deal with when I shoot what I shoot. If you’re after some affordable continuous light for video work that looks natural and emulates everyday lighting, then LEDs are your first and smartest choice. But for what I do, which is often very controlled and saturated colour work that is anything but natural, I’m going to stick to the control and power of flash for now.
The glorious colours of summer are fading away, and the windy weather makes outdoor macros difficult. In other words, it’s the perfect time to take photography inside and stage creative photos with things around the house. Anything could be an ingredient in your creative recipe. These ingredients can be simple things, such as in this example: A CD, a Milkweed seed and some water, put together on a reflective piece of glass, made for the images in this article.
Textures can really enhance the mood or the feel of an image. People that follow me and my photography know I love using textures in my work. So, it was an absolute no brainer to test out the Infinite Texture Panel.
There’s no shortage of Textures around the internet these days… but what if you had access to the largest database of high-resolution textures with a click of a button? Sounds cool right? This is exactly what the Infinite Texture Panel does. Be prepared to be amazed!
Chimacabres come out at night. They are around during the day too of course, but the night is when they really thrive. In the dark it’s harder to tell if you’re face to face with a fellow person, or if it’s a chimacabre in front of you, and they don’t even have faces. No, they are vicious, purely instinctual, unforgiving. They read you with the speed of a car commercial disclaimer, immediately sniff out the soft spot, and burrow in mercilessly.
Today I’m going to show you everything you need to photograph the transit of Mercury across the Sun. It will happen very soon, on November 11, 2019. And it’s a rare and amazing spectacle to photograph.
I consider traveling for my work both as a curse and a blessing; damned be the hours spent away from my family and cozy little home but such a blessing to see the world and meet so many friends, new and old, during my travels. Often my trips have been a source of inspiration for my work, bringing to me visual images, techniques and traditions of a different world.
The release of the Fuji X-Pro3 this morning came as a bit of a surprise to me; not what was unveiled, but the general reception to it. So many comments (yes, I know you’re not supposed to read the comments) of ridicule and annoyance were not what I was expecting. And as I read them (which I promise not to do again) I noticed an underlying theme that was a bit worrying.
There are many types of cameras available to us as photographers. I am not speaking about specific brands like Nikon, Canon, or Sony, but rather the approach and intentions companies currently have in regards to design language and intended function. Cameras like the Nikon Df, Hasselblad X1D and the Fuji X-Pro3 offer photographers a different approach to creating images.