As a digital artist, I create images that are usually almost unimaginable, optical illusions, interesting concepts, and fantasy worlds. For this, I have to have tools to achieve my visions and this is where my retouching background comes into play. I have been using Photoshop for over 20 years and I know plenty of tricks and tips on how to achieve needed things to produce images just to the way I want.
To revisit old and newer images of a particular scene is enjoying and it invokes many great memories from happy moments behind the camera. I find images I more or less have forgotten of which some I still find attractive whereas others indicate that my preferences and taste have evolved during the years.
This time the objective is to revisit red cabin images captured when the cabin and its surroundings are touched by winter. Snow and ice always transform a scene something which opens up for new compositions and possibilities in terms of mood and atmosphere.
There is a plethora of very talented landscape photographers out in the field these days, both hobbyists and professionals alike. The following is a collection of some of them, and may you enjoy their talent, craftsmanship and dedication to the genre.
Introduced in 1988, the Nikon F4 was the world’s first professional autofocus camera, and it made its way quickly into the hands of many working photographers. But despite the incredible leap in technology it represented, it was apparently quickly overtaken by the competition, which built on the solid foundation the F4 offered.
Early reviews were kind, but the advances in all areas of camera technology since then have left it more a cult option for today’s users.
Storing and backing up efficiently and securely more than ten years of photography is a complicate technical task.
At the center of my setup I use a Synology DS1515+ NAS, with 8 disks configured in Raid 6 for a total of 14.54TB of available storage.
I wrote about this set up a year ago, but I recently updated it to be more streamlined and secure.
Tyrifjorden is one of Norway’s largest lakes. Along its shores I have found a spot which I have visited frequently the past years. It has become my favorite location for sunrises especially during winter when the sun rises right in front of me. The images included cover a stretch of roughly twenty meter of rather photogenic rocks. Due to various water levels, snow, perspective and other factors almost every image has a unique quality in spite of being shot at the same place.
As the name of the filter alludes to, these lens filters do indeed lower the overall contrast of a shot. To clarify what that means in relation to photography; these filters will reduce the darkness of the shadows by allowing light to bleed into them from surrounding highlights.
Make up for beauty photography is a lot different than special occasion make up where the focus is usually airbrushed flawlessness, sculpted brows, contouring and lashes for days. I’m lucky to get approached by talented MUAs regularly but there are a few things that I look for that influence my decision to work with someone.
After some recent discussions with my peers, I’ve started to feel that “honesty” is an underrated quality in many genres of photography. I’ve given the topic a lot of thought, in order to take some personal steps to ensure my integrity, especially when it comes to what is shown in my images.
When it comes to the idea of honesty I feel there are many different approaches, and that the concept of honest photography is fairly nebulous to begin with. Unless you are a true journalist I don’t think it is always the most important thing to approach subjects with honesty – for example, fine art imagery, landscapes which can use long exposures and filters to manipulate the scene, or fashion where the subject is posed and presented.
Yes, it’s post processed.
I get this question all the time, like every other photographer on the planet, and it often sparks heated debates that challenge the notion of objective reality and the meaning of photography.
My claim is: all photographs are post-processed.
In one way or the other.