Hacking Photography - one Picture at a time
Grinding an editor’s gears is easy, most cinematographers can do it blindfolded. If you shoot video – for any reason at all – and you’re not an accomplished editor – you’re undoubtedly indulging in at least one of the Six Sins of the Cinematographer.
If you want to master video production — and become every editor’s favorite shooter — here’s how to avoid the Six Sins:
This is the second part of a three-part series of articles on LED lights for photographers. Part 1 looked at the pros and cons of commercial level LED lighting for photographers so if you missed it, here’s a link – Do LED Lights Have a Place in Your Kit? – Part 1: Pros & Cons.
In this weeks article, I aim to test a selection of cost-effective, coloured LED bulbs that can be used in your strobes instead of regular tungsten modelling bulbs. Are they any good? What creative options can they provide to us? And is it worth spending a little more to get some decent ones?
A while ago I got myself a new camera bag. I was looking for something smaller to carry around my Sigma dp cameras and I stumbled across this little beauty from Cosyspeed, which has been a great addition to my kit.
Since shooting products is something I love doing, I could not help but create a photo of the Streetomatic bag and I want to share the steps I took to create it.
My name is Andrea Belluso and I used to define myself as a fashion and beauty photographer.
To be great at lighting in photography is much e¬asier than you might think. I see most photographers making things way too complicated and spending way too much time thinking through their lighting and trying to achieve the perfect picture.
All this eventually leads to frustration, irritated clients, and eventually considering photography a job like any other. In order for you to maintain fun and pleasure in your photography and being as excited with every single picture you take as you were when you took your first picture, it is vital to have the element of freedom and adventure with every single shot.
So, how do you do that? Simple, it’s all in your approach to lighting.
Lighting is not a technical thing, it is a way of creating feelings, emotions, and moods. The technique and technical equipment are just there to help us. Just like brushes and paint are not what creates how a painting makes you feel, they are simply tools that used in one way or another will change your mood once you look at the painting.
So here are 6 tips on getting better at lighting and having more fun and ease with it.
My daughter LOVES female superheroes and I LOVE making her superhero dreams come true. The other day she literally thought she was a superhero. She came home from school one day and told us that her friends had made fun of her because of her worn down shoes. To my surprise, she didn’t seem too affected, and so I kept asking for more details. After all, she’s a 5 year old who makes up a bunch of stories anyway, and I wanted to get to the bottom of it.
She told me that in fact she had been made fun of but instead of being sad, she told me it was ok because she was a superhero! I didn’t realize the impact that my photoshoots had on her until just yesterday when I heard that. So all that being said… here is what I surprised her with…
Introduction
This guide will be a walkthrough on the basics of Milky Way photography. It is best for beginners, but even intermediate and expert photographers might find something new! Plus, I always find it never hurts to refresh yourself on the basics.
Before we get to the good stuff, I’d like to start by saying that I hope you find this guide to be a bit different from the rest. I have found that most guides go on way too long and provide more detail than you could possibly need. This doesn’t sound like a bad thing, but it creates a problem. With that much information available, it tends to be overwhelming and hard to retain what you learn. By the time you’ve read through the countless pages, you’ve forgotten where you started!
While I’m waiting for the crowdfunding campaign for my darkroom timer project to reach its completion (7 days to go), I’ve been busy with a few other projects. One of them you’ll find here in this article: an LED conversion to my friend‘s Durst Laborator 1200 enlarger.
Have you ever found yourself looking at your children’s toys and thought to yourself man that would look great in an image? Well I have, I do and I love creating images this way, trying to create a realistic/surreal image which tells a story from using nothing more than a piece of plastic.
In this article, I look at what LEDs actually are, how they started out and where they sit in the world of photography now. Many photographers have switched over to using LEDs, but do they have a place in your kit and why aren’t we all using them?
To avoid making this one article ginormous, I aim to separate it out into three parts. Part 1will be the pros and cons of LEDs, part 2 will be testing a variety of coloured LED bulbs in our strobes and part 3 will cover using them on a model shoot including advice and lighting diagrams.
My name is Brendan Burkett, and I believe I have created an original device and street photography method. What I have done is attach a softbox to my back for ultimate portability. This allows me to get street portraits with a very unique light.
You can find out more about John on his website and follow his adventures on YouTube and Facebook.
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.
JP’s photography is available for licensing at Stocksy United.
Find my work on My website or follow me on Facebook or My page
