The midday sun isn’t really photographers’ favorite time to shoot portraits. But, sometimes you’ll be forced to do it, for one reason or another. Photographer Kayleigh June says a lot of her portrait shoots take place at this time of day. So, she shares five helpful tips to make the best out of the unfriendly midday sun.
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Harsh and bright midday sun is definitely not the ideal time of day for portrait shots. However, you can even out the light and avoid the unflattering shadows using only one light. In his latest video, Manny Ortiz shares a quick tutorial how to do it and make stunning portraits even in the bright sunlight.
As we know, shooting in harsh sunlight at midday is a portrait photographers nightmare! But, it can produce a very striking and edgy look thats fantastic. However this particular author lives and works in Northern Ireland – now, most will agree, this is a beautifully scenic part of the world unfortunately though we are not blessed with a lot of sunlight. In fact this year its hard to remember a day when its wasn’t raining!
Hence my project to create a wonderfully hard Mediterranean sunlight effect in the studio! In fact this is a fairly easy task and using the correct modifier can produce excellent results. For my first test I wanted to create a textured wall effect rather than use a seamless paper roll. I purchased a 4′ X 8′ sheet of plasterboard (Drywall) and produced a textured effect by liberally applying Spackling Paste to the board.
It’s summer and the days are long and sunny. If you shoot portraits outdoors, the harsh midday sun may mess up with your plans. You can embrace it and incorporate it into your shots, but you can also create your own shade and modify or even block the harsh rays of the sun. In this 2-minute video, photographer David Bergman of Adorama will show you a couple of possible solutions for creating your own shade without changing the shooting location.
The golden hour is probably the time when most of us would choose to take photos. But, there will be times when you’ll be forced to shoot in a harsh midday sun, for one reason or the other. You can bring reflectors, strobes, or try to find or make a shade. But in this video, Manny Ortiz will give you some quick tips on how to embrace the direct sunlight and turn it into your advantage without any gear but your camera and lens.
Even though harsh midday sun is far from an ideal lighting situation, sometimes you’ll have no other choice. In this video, Jay P. Morgan shows you four ways to make the best of that direct sunlight and turn it into your advantage. He demonstrates three setups that only use the sunlight, and the fourth one adds a strobe to the equation. But in all cases, you’ll end up with great portraits even in the otherwise unflattering direct sunlight.
Most of the photographers avoid direct sunlight when taking outdoor portraits, especially if the Sun is the only light source. However, you can turn the harsh sunlight into your advantage, and use it as a key light. Jay P. Morgan picked up his camera to show us how to do it, and ended up with some interesting shots using only the light coming from the Sun.
Jay and his crew shot in Bombay Beach, CA. The subject is an astronaut in a reflective suit, and I just love the location with the abandoned cars, trailers and houses. Even though the light is a bit flat, there are some tricks to make it more appealing and make the shots more interesting.
When you read or hear the expression, “Photography is all about light,” you clearly understand the definition of each word; however, the true meaning from a photography perspective can be elusive. It takes time to fully grasp.
I clearly remember my first true photography experiment that accelerated my understanding of the basics of photography in regard to light.
It was a family camping trip. We had our campsite set on the beach of a small lake nestled in the Laurentian Mountains north of Montreal. I had plenty of time to experiment with my new Canon Digital Rebel. I set the camera on a tripod and took one picture every hour without changing the camera’s position or settings.
I took a total of 17 shots.
Back home, I transferred the photos to my computer and started analyzing them in Photoshop (Lightroom did not yet exist). I was completely astonished by the results of my seemingly simple experiment. Depending on the time of day, the location was completely unrecognizable. Any photo taken during the middle of the day looked washed out and quite boring. On the other hand, the photos taken during sunset and sunrise looked vibrant and full of energy.
This is when I realized that photography is defined by the quality of light and, contrary to common belief, that location is the secondary component of the equation.
You’ve probably heard you need to have good light for portraits. Okay great, but what does that mean exactly, and how do you find that elusive good light? In this article you’ll get some tips on how to recognize different kinds of light, and make choices based on the look you want for the final portrait. You’ll also learn about open shade, quality of light, direction of light and how to bring it all together so that you can work faster, smarter, and with less gear. Let’s begin!
I get emails on a monthly basis asking for advice on where to get started with wedding photography, can I give someone any advice on getting started, can they tag along to a wedding to learn or come and second shoot for me. As flattering as it is to be asked for this advice, and as much as I’d love to be able to give people advice tailored to where they currently are in their journey, I simply don’t have the time to do this.
So I thought I’d put all of my thoughts down here, a mixture of advice, lessons I’ve learned along the way and things to consider before you get started, or make that next step!