Photographers mainly use light tents for capturing product shots. But have you thought of fitting a human into a portable light tent? Konseen Photo Studio is a pop-up light tent that lets you photograph portraits. It’s foldable and comes with the built-in LED light, so you can set everything up without hassling with too much gear.
Search Results for: light tent
Light tents can be a wonderful thing. They’re certainly not going to get your best product photos, but they’re a great way to photograph a lot of things quickly. Once they’re set up, you just keep swapping items out as you shoot. Light tents aren’t always that expensive, either. You can pick them up online fairly inexpensively. But then you have to wait for them to show up.
So, what can you do to get shooting right now? Well, you can make your own. Like photographer Doug McKinlay does in this video. It’ll cost you virtually nothing to make, as you’ll probably have most of the required items in your home already. And, best of all, you won’t need to wait for the delivery guy.
Photographer Peter Karlsson has it all worked out when it comes to travel light. Peter is a Strobist at heart and as such he is using small flashes quite a bit. The coolness comes in when you see how he places his flashes in space.
Instead of your orthodox light stand solution Peter uses a home brewed light stand made of tent poles. Those are great for travel for several reasons: There are super light-weight, they fold small and they will definitely make your subject go WOW! Luckily for photographers wold wide there are two vids available that shows how those light stands were made. [Read More…]
Then I saw a variation on that theme by Nathan Moroney that used nothing but paper binders to create a very similar light same tent.
Now, if you think that coroplast tent was frugal, this one is on the fringe of being made from pure nothing. (Link and musing after the jump).
Light tent, or Light box is a piece of lighting gear used mostly for product shots. It creates a nice, smooth, safe light with almost no hot spots.
We’ve posted a tutorial for a really simple light box before. This light box was made of a simple cardboard box and was super easy to construct and really dispensable.
Reader Randi Scott constructed a PVC light box skeleton that is both sturdy and, not dispensable, but can be stowed away so your significant other will not complain. Read all about it and learn how to make one yourself on this link.
I was inspired to do this project after seeing the PVC light tent posted on the MAKE blog. This light tent uses a cardboard box and some white material (Tyvek) and allows you to take reasonable photos of products such as bottles, watches, jewelry, small objects, etc. There is lot’s of room for improvement but for the sake of 15 minutes I hope you will agree it’s pretty good 🙂[Read More…]
One of the biggest issues for those looking to expand their lighting setup is colour consistency. Even expensive ones can be very slightly out from each other. Even within a single brand, different models or generations of light can also be a little different to each other. But the problem is especially so with cheap LED lights, which often have huge colour shifts.
There are ways to work around this, though, and this video from Tony Reale over at Creative Edge shows us how. It does take some experimentation and work, though. But, once you’ve done it, you’ll know exactly how far out from each other each of your lights are. Then you’ll be able to quickly correct those colour shifts in the future before you’ve even turn the lights on.
Lytro’s one of the few companies out there that are pioneering in what’s called “light field” technology; their light field sensors basically take in massive amounts of data and process them into a small picture that you can interact with. The final result helps achieve a sort of post-focusing effect you’d find in Google Camera’s Lens Blur or the HTC One M8’s double-sensor camera. Back about two months ago, Lytro announced a camera called the Illum – one of the first major steps in making a camera like that reality while keeping the specs a bit up to date.
But right now, the technology’s still in its growing stages. The Illum is a first, but at the same time it’s retaining a hefty price tag of around $1500. It’s needless to say that there’s still a lot left to be done with this technology before it can actually be that profitable. Just recently, Sony took a big step for the future of light field sensors by grabbing their own patent for light field sensors. According to the patent [warning, geeky read], apparently Sony has a way to get past some of the limitations that light field sensors bring to the rest of the technology implemented in. Put that together with the fact that this is Sony we’re talking about, which both has the tech power and the market interest, and you’ve got a pretty promising look at what the future might hold for these new sensors.
Like most photographers who have been working for many years, I have my favorite, go-to lights. These include the Broncolor Para 88, 133, and 222; the Broncolor ‘pre-2006 style’ Flooters; the Elinchrom Zoom Spots; and Elinchrom Litemotiv Indirect.
I have adapted all of these modifiers within the last year to fit the Flashpoint 1200H remote heads, as well as the 600Pro (AKA Godox AD600 Pro) and 600H Pro, as I prefer these mobile, lightweight, HSS capable flashes for the flexibility they provide over any other current brands or models.