Diane Arbus was one of the most inspirational, but also most controversial American photographers of the 20th century. If you’d like to learn more about her, Martin Kaninsky of All About Street Photography has an amazing video for you. In about 15 minutes, he’ll introduce you to the fascinating life and work of this famous 20th-century photographer.
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Fujifilm announced the new X-Pro3 camera during the Fujifilm X Summit in Shibuya, Japan last month. The camera is now officially out and ready for preorders, and it brings some improvements over the previous models. But, it also comes with the redesign which relies on old film cameras and combines them with modern digital photography.
If you’ve been into photography for a while, you know that there are days when your photos turn out bad no matter how hard you try. It’s frustrating, especially when you compare yourself to all those wonderful, inspiring photos other people take. Well, here’s a bit of inspiration and reality check from Manny Ortiz. He admits that he also takes bad photos, and shares a photo shoot to demonstrate it and show you that there’s nothing to feel bad about.
Photographer Ed Verosky admits in the opening line of this video that he’s not a creative genius. But then, very few of us are. Just coming up with something creative out of thin air isn’t easy. We need inspiration. And I’m not suggesting we copy. Just something that inspires us, gets us thinking and starts those creative juices flowing.
Different things inspire different people. What might inspire me may not inspire you, and vice versa. For me, it’s often movies and music, but I can be inspired by all sorts of things going on around me. Ed talks about what inspires him in this video. Maybe it’ll give you some ideas you hadn’t considered.
The debate whether the gear matters or not is probably never ending. And while I generally always place the idea above gear, I still believe gear matters in many other aspects. But what does a veteran photographer has to say about this? What really makes a good photo?
Photographer Jesse James Allen has created a wonderful tribute to his mentor, photographer Charlie Howse. He inspired him and showed him not how to take, but how to create photos. In Allen’s video, Mr. Howse shares his knowledge, thoughts and a message for all the photographers out there. He talks about what makes good photos and if the gear has the influence, and if you’re looking for some wise words and inspiration, take a look.
As much as fun as it is to shoot fine art street photos, it’s also tiring sometimes. Every now and then, you just need a bit of a motivational boost to set your heart on fire again. I’ve researched 3 inspirational quotes that will skyrocket your fine art street photography today!
These insights helped me a lot throughout the years and I’m convinced they will help you as well.
Remember, these lessons are not only meant as food for thought. Rather consider them as fuel that drives your next photo walk! Immediate action is always the key to success. If you can, grab your cam afterwards and shoot at least for 2 minutes. That’s the way to go!
You don’t always have to hit the streets for 2 hours. It’s all about continuously improving your craft. Even 2 seconds is better than nothing!
If you want some tips on how to save time and improve, check this out!
Enjoy these quotes and may these mini lessons improve your fine art street photography!
Ever find yourself needing the inspiration to create an image, but you just can muster up any from anywhere. It happens to all us all, don’t worry. Recently I had to create an image for Dark realm Collectives latest Artpack, urban nightmares. I searched and searched for inspiration, but it didn’t seem to come. This can happen because of many factors. Tiredness, working too much, feeling down. Any of these plus much more. Sometimes the Muse just doesn’t want to come, sit on your lap and stroke……..your face! Godammit people get your minds out of the gutter haha. As the deadline drew closer, I knew I had to create something, so I used one of my inspiration kickstart techniques and came up with the above image. What is an inspiration Kickstarter technique……it’s one of my go-to tricks if no images concepts are popping into my head.[Read More…]
Where do you get your inspiration? Do you feel like you’ve hit the wall with your photography from time to time?
There’s no doubt that photography is a pretty specific form of art. It focuses on the existing moments and scenes, and it’s up to us to interpret and capture them. Each of us has our own vision and use different methods to do it. While it’s certainly great that photography is specific and different from other visual arts, it can sometimes be a problem, too.
Photographers tend to be isolated in the world familiar to them. We mainly get inspired by other photographer’s work. And although it’s very versatile – it’s not limitless. This is one of the reasons we can get stuck in a rut. Because of this, photographer Ted Forbes created a fantastic, inspirational video to encourage you to seek inspiration beyond photography.
Whose image is it anyway? When does inspiration or imitation of a landscape photo cross the line or go too far?
Recently a few things came up that makes me ask if or when does the idea of copying someone else’s photo go too far, or is it just a form of flattery derived from a source of inspiration via the route of imitation? In the commercial photography world, this can have an impact in real dollars and sense (yes, that’s the word I meant to use), especially if you get caught deliberately copying someone else’s work. This was brought up in a recent article on PetaPixel, When someone copies your photo for Commercial Purposes, where the question was raised whether someone who (may have) copied many elements of a photo went so far as to push the boundaries of what’s right and permissible or was it a violation of the original photographer’s copyright? When there are things like models, props, studio lights, camera angles, etc., that gives the court leeway in deciding what elements of an image are protected expressions of copyright. There is a poll on this article where more than 2/3rds or the respondents felt what was done was unethical.
A lot of us labor to be ‘original’ in our photography— but realize, everything in photography and life is a remix:
One of the biggest benefits I had studying history was this — understanding the root and origin of a lot of ideas which I once thought were ‘original.’
For example, I remember when I started to shoot street photography, I imitated Henri Cartier-Bresson. But then a lot of people said I was ‘copying’ him — which made me feel unoriginal. But when I started to study the work of Henri Cartier-Bresson, I realized that a lot of his inspirations came from the surrealists, as well as Matisse, and the image which inspired him to start photography was a black and white photo of three boys playing by the water. Even his idea of ‘The Decisive Moment’ originated from a poem.