We can argue forever (and we most likely will), but we can also turn this common argument into a great joke. This is exactly what Eric Floberg did with his latest video. It lasts under one minute, and that’s all it took for Eric to show that gear does matter. And to troll YouTubers a bit along the way.
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“Gear doesn’t matter.” You may agree with this statement or not, but it’s definitely the case if you have a good idea and an engaging story to tell with your photos or films. Sure, expensive gear can make the job easier, but what if you don’t have a high budget? Well, in that case – just shoot with what you have in your pockets – a smartphone.
Ryan Connolly of Film Riot gives you some guidelines how to shoot a high-quality video using nothing but your smartphone camera. He gives his own example of a very file-looking sketch he filmed with an iPhone, along with the advantages and challenges you’ll have with this approach.
Photography is a wonderfully dynamic form of expression. It is technical, artistic, timeless, evolved. We are in a phase in the industry where cameras and lenses are being designed to take images of mind-blowing quality. They are getting sharper and producing better color than ever before. Autofocus systems are to a point where you can tell the camera which eye to track. The focus of the industry has undoubtedly shifted toward technical perfection.
However, amidst the ever-improving image quality, we often lose the emotional connection that images from generations past have. The more we focus on how sharp the lens is and what settings someone used, the more we forget about why we started taking photos in the first place.
This post will probably upset a few of you. Don’t care. Lens compression is a myth, I’ve been saying it for years, but when I try to explain why, peoples’ eyes start to glaze over. This video from Dave McKeegan, however, explains and demonstrates the principle wonderfully. Although, as Dave says, it really doesn’t matter.
Dave does go very in-depth into explaining the technical side of why lens compression doesn’t really exist, and if you’re not technically minded in the least, you’ll probably want to watch some parts of the video two or three times to fully understand what the demonstrations… uh, demonstrate. But it’s worth sticking with it. The better you know the principles, the better you’ll be able to use your gear.
Even before the whole global pandemic thing, vlogging was on the rise. This last year, though, seems to have caused a significant boost in the number of vloggers out there and many have taken to doing it on their smartphones.
We’re on lockdown again here in Scotland and getting out with a bunch of camera gear to shoot videos isn’t exactly possible right now. So, I’ve been testing out some smartphone vlogging gear over the last few weeks during my daily exercise to see how well they hold up.
The popular wearable Lumiee LED lights have received an upgrade. Spiffy Gear has today announced its successor, the KYU-6. Like the original Lumiee, it comes in 95+ CRI bi-colour and clean wavelength RGB flavours, but KYU-6 comes with finer brightness settings, better weather resistance, and you can now charge it while using it.
So many of the tools we utilise in our photography and filmmaking adventures these days are battery-powered. Many of those batteries, whether they’re removable or built-in, are based on lithium-ion technology, which generally doesn’t do well when left for a long time at a near-full or empty charge. Other devices may also use alkaline batteries which can leak when unused for long periods.
For the latter, just go and remove them from the devices. Flash triggers, speedlights, intervalometers and other devices which utilise AA, AAA or other non-rechargeable batteries. Just take them out, and you’re good. For the lithium-ion devices, there’s a little more to it.
It’s been a while since we’ve seen a video from Matthew Vandeputte, but now he’s back with a good one for all you aspiring hyperlapse shooters that don’t have high-end cameras and lenses, gimbals, or other expensive and fancy gadgets.
During a recent social media meet up in London, Matthew borrowed a friend’s Canon EOS 200D (Rebel SL2) with the 18-55mm kit lens to provide us with some tips to show us how we can shoot hyperlapse sequences with very inexpensive equipment.
When you talk about photography gear online, one thing is inevitable. Somebody will pipe up talking about how “the gear doesn’t matter, a good photographer can make a great image with a potato!”. Well, Linus and Brandon over at Linus Tech Tips decided to put this to the test.
Brandon is LTT’s DP. He has a lot of practical experience with a lot of gear in a lot of shooting scenarios. Linus is… Well, he’s Linus. He knows his tech, but isn’t exactly an expert when it comes to shooting photographs. In this video, Linus takes up arms with a Fuji GFX 50R vs Brandon with a Google Pixel 3 smartphone to see if skill or gear (or luck) is most important.
We often hear stories from both sides of the fence on how much gear really matters. And there are many arguments both for and against Gear Acquisition Syndrome (GAS). We all go through the feelings of it at some point. I know I have. Whether or not we act on it is another matter entirely.
Photographer Sean Tucker decided that he was going to switch out his Fuji X100, a camera which he loves and often raves about, for an X-T20. So, he did exactly that. He picked up an X-T20 along with used 23mm and 35mm lenses. When he posted a photo of it to Instagram, he was hit with wildly varying comments, and lots of them. In this video, he talks about them, offers his response.