We can argue forever (and we most likely will), but we can also turn this common argument into a great joke. This is exactly what Eric Floberg did with his latest video. It lasts under one minute, and that’s all it took for Eric to show that gear does matter. And to troll YouTubers a bit along the way.
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“Gear doesn’t matter.” You may agree with this statement or not, but it’s definitely the case if you have a good idea and an engaging story to tell with your photos or films. Sure, expensive gear can make the job easier, but what if you don’t have a high budget? Well, in that case – just shoot with what you have in your pockets – a smartphone.
Ryan Connolly of Film Riot gives you some guidelines how to shoot a high-quality video using nothing but your smartphone camera. He gives his own example of a very file-looking sketch he filmed with an iPhone, along with the advantages and challenges you’ll have with this approach.
Photography is a wonderfully dynamic form of expression. It is technical, artistic, timeless, evolved. We are in a phase in the industry where cameras and lenses are being designed to take images of mind-blowing quality. They are getting sharper and producing better color than ever before. Autofocus systems are to a point where you can tell the camera which eye to track. The focus of the industry has undoubtedly shifted toward technical perfection.
However, amidst the ever-improving image quality, we often lose the emotional connection that images from generations past have. The more we focus on how sharp the lens is and what settings someone used, the more we forget about why we started taking photos in the first place.
It’s a problem that all photographers and filmmakers experience at some point. We see some shiny new gear, and we just have to have it. Right? But do we? Do we really need it, or do we just want it?
Adam Karnacz at First Man Photography thoughtfully discusses this topic in his recent video. Adam’s talk, he says, is as much to himself as it is to us. But he discusses the ways we can help to control our G.A.S. and decision paralysis.
It always seems like everybody scrambles to get all new gear every year or two when the manufacturers announce the newest bodies in their latest release cycle. The same goes for lenses, too. We’re always striving for faster, quieter, sharper, with ever-wider apertures. But Gear Acquisition Syndrom (GAS) isn’t a great thing for you or your photography.
In this video, photographer Roman Fox takes a look at gear and when and why you shouldn’t upgrade your kit. In the interests of fairness, he does talk about why and when you should upgrade a piece of gear, too. Buying new stuff isn’t always just GAS, after all. Sometimes new gear can satisfy a genuine need. But, as Roman suggests, do make sure you need it before putting your money down.
Ever wanted to know what photography gear is the best for capturing stunning images of the Milky Way and our night skies? Well, look no further. This list may not be the best gear for everyone, but after spending the last five years doing this professionally, this is the gear that works best for me.
So what camera and lenses do I use, and what additional gear for my imaging?
Regardless of how you feel about photography, it comes with opinions. Lots of them. From absolute beginners to seasoned pros with 50 years’ experience behind them, we’re constantly bombarded with opinions in photography. “You need to follow this rule!”, “You need to sell that camera and buy this one!”, “You need to…” this, that and the other.
A lot of these opinions are unpopular. Some deserve to be but many simply lack the context required to truly express their real meaning. In this video, Adam Karnacz at First Man Photography breaks down five unpopular opinions (very well, too), plays a little devil’s advocate for the other side and explains the underlying reasoning why people might swing one way or the other.
You’ll have to forgive this post coming just a couple of hours before Panasonic is set to announce the shiny new GH6 but with the gear lust I’ve seen in Micro Four Thirds groups lately, it actually seems like some pretty fortuitous timing. Photographer Mitchell Kanashkevich just posted a video about gear and how it doesn’t matter. And, yes, we’ve all heard that before, “the best camera is the one that’s with you”, etc. But this one actually comes with some pretty compelling backup.
I’ve had people over the years swearing to me that they could tell the difference between images shot on APS-C cameras vs full-frame cameras for years. Usually, I challenge them by throwing down a stack of 18×12 prints and make them pick which is which. They always get it wrong. This video kind of aims to do the same thing but with a bit more of an explanation than I usually have the patience to give.
This post will probably upset a few of you. Don’t care. Lens compression is a myth, I’ve been saying it for years, but when I try to explain why, peoples’ eyes start to glaze over. This video from Dave McKeegan, however, explains and demonstrates the principle wonderfully. Although, as Dave says, it really doesn’t matter.
Dave does go very in-depth into explaining the technical side of why lens compression doesn’t really exist, and if you’re not technically minded in the least, you’ll probably want to watch some parts of the video two or three times to fully understand what the demonstrations… uh, demonstrate. But it’s worth sticking with it. The better you know the principles, the better you’ll be able to use your gear.
Even before the whole global pandemic thing, vlogging was on the rise. This last year, though, seems to have caused a significant boost in the number of vloggers out there and many have taken to doing it on their smartphones.
We’re on lockdown again here in Scotland and getting out with a bunch of camera gear to shoot videos isn’t exactly possible right now. So, I’ve been testing out some smartphone vlogging gear over the last few weeks during my daily exercise to see how well they hold up.