Whenever you’re starting something new, it can be pretty overwhelming. “Where do I even start?” “How should I do this?” There are so many questions. Well, the WonderBox has decided to help you answer them with its 35mm film subscription service. You can subscribe and get a selection of 35mm film delivered straight to your door every month.
Search Results for: film photography
After some recent discussions with my peers, I’ve started to feel that “honesty” is an underrated quality in many genres of photography. I’ve given the topic a lot of thought, in order to take some personal steps to ensure my integrity, especially when it comes to what is shown in my images.
When it comes to the idea of honesty I feel there are many different approaches, and that the concept of honest photography is fairly nebulous to begin with. Unless you are a true journalist I don’t think it is always the most important thing to approach subjects with honesty – for example, fine art imagery, landscapes which can use long exposures and filters to manipulate the scene, or fashion where the subject is posed and presented.
There is no doubting that analogue photography is on the up – or at least, it did hit rock bottom and it has bounced. But is gravity going to take hold; is it on the verge of failure again? Or is it about to break through into the mainstream again like vinyl records have? Moreover, is the huge part crowdfunding has played in this process ultimately going to be key to the success, or will it issue the final death warrant to the film photography industry?
“Film is saved!” – Or at least that’s what it seems when you see the results of the Save Analog Cameras campaign. In a previous article, I talked about the initiative of Juho from Cameraventures who wanted to draw a map of the Analog scene worldwide.
The idea was to measure the global interest for Analog photography and draw the profiles of today’s community. The feedback from the community has been overwhelming and his team has received more than 4500 entries from all over the world!
We all have seen some very encouraging news recently coming from major film companies bringing back or releasing new film stocks. Some promising accessories, like the “Lab-Box Film Tank”, have also emerged and it seems that nothing can stop the return of film at the front stage.
The present and near future seem very promising for film photographers and you can read everywhere that film is back…but aren’t we celebrating a bit too fast? I recently had an interesting talk with Juho Leppänen who’s behind cameraventures.com about the future of analog photography and its whereabouts in the next 15 years.
I remember the first time I picked up a digital camera. It was 2003 and I got this little Canon G5, a good point-and-shoot, and it was 5MP.
Before that, I used film. It had to be scanned into a computer, then manipulated digitally. That was alright—but when I picked up this Canon, I thought it was amazing. It’s instant feedback. You see exactly what you’re going to get. You adjust your lighting as you go, you’re thinking on your feet.
What you can learn on digital in one year is probably five to ten times what you can learn on film in the same time. Film is a very slow feedback loop.
Sales of photographic film have been steadily rising over the last few years, with professionals and amateurs alike rediscovering the artistic control offered by manual processes and the creative satisfaction of a physical end product
In the early 2000s, the world of photography changed forever. Though digital cameras had been widespread since the mid-1990s, the technology did not produce sufficiently high-quality results for professional and serious amateur photographers.
As somebody who got back into film a few years ago, I’ve kept my eye on various apps that have spawned for iOS and Android. I’ve still not found anything that lets me do everything I need, but the Kodak app has proven to be occasionally helpful.
Now that the new Fujifilm XF 50mm f/1 R WR is finally released, aren’t you curious to see how it performs? What’s the autofocus like? How does the lens perform when the aperture’s wide open? What does the bokeh look like? What about video capabilities? Well, we have brought together a few great hands-on videos that should answer all of your questions.
While most of us aren’t out shooting, now is a perfect time to sit and reflect on the photographic and filmmaking mistakes we’ve made, and how we can stop making them going forward. In this video, Joris Hermans talks about 8 of the dumbest photography and filmmaking mistakes he’s made (and sometimes still makes). They’re mistakes that almost all of us have made at some point.