It’s summer and the days are long and sunny. If you shoot portraits outdoors, the harsh midday sun may mess up with your plans. You can embrace it and incorporate it into your shots, but you can also create your own shade and modify or even block the harsh rays of the sun. In this 2-minute video, photographer David Bergman of Adorama will show you a couple of possible solutions for creating your own shade without changing the shooting location.
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Even though harsh midday sun is far from an ideal lighting situation, sometimes you’ll have no other choice. In this video, Jay P. Morgan shows you four ways to make the best of that direct sunlight and turn it into your advantage. He demonstrates three setups that only use the sunlight, and the fourth one adds a strobe to the equation. But in all cases, you’ll end up with great portraits even in the otherwise unflattering direct sunlight.
Most of the photographers avoid direct sunlight when taking outdoor portraits, especially if the Sun is the only light source. However, you can turn the harsh sunlight into your advantage, and use it as a key light. Jay P. Morgan picked up his camera to show us how to do it, and ended up with some interesting shots using only the light coming from the Sun.
Jay and his crew shot in Bombay Beach, CA. The subject is an astronaut in a reflective suit, and I just love the location with the abandoned cars, trailers and houses. Even though the light is a bit flat, there are some tricks to make it more appealing and make the shots more interesting.
Shooting long exposures on a bright day can be a hassle. Even with your aperture at f/16 and ISO as low as it’ll go, you’re lucky if you can get slow enough to blur motion. This is where super strung neutral density filters come in.
Jay P Morgan of The Slanted Lens takes us out on a visit to Santa Monica beach in this video. Using Syrp’s new Super Dark variable ND to cut 6-10 stops of light from his exposure, Jay is able to get those 2-4 second exposures you need for daylight timelapse.
With a heatwave rolling over America & Europe, photographers are going to be dealing with some pretty direct light. Here are some tips about dealing with harsh shadows and high contrast.
This blog is pretty good timing, as I have just come back from a shoot in the UK. 10 lucky winners in association with Sigma UK and Amateur Photography Magazine, had won the chance to come down to London and photograph two traditional Geisha (Mai Watanabe and Chiyono Watanabe.) I was asked to set up the shoot & help with the lighting as part of the day.
Photographing Geisha’s on a London Rooftop with the direct & bright sun was not ideal. But with some thinking, we worked out a set up that was pretty good. The main objective of the shot was to show the color of the face and keep the flat color tones. I wanted to show the makeup as much as possible. Getting the image as soft as possible while still showing the colors in the silk was another objective. The bright sunlight was very overpowering and creating deep shadows.
Shooting in direct sunlight is something most photographers and filmmakers avoid. The light is harsh and not very flattering, but sometimes you’ll be forced to shoot in such conditions. In this video from Cinecom, you’ll learn five simple tricks to make the absolute best out of harsh midday sun.
The golden hour is probably the time when most of us would choose to take photos. But, there will be times when you’ll be forced to shoot in a harsh midday sun, for one reason or the other. You can bring reflectors, strobes, or try to find or make a shade. But in this video, Manny Ortiz will give you some quick tips on how to embrace the direct sunlight and turn it into your advantage without any gear but your camera and lens.
I love it when the warm light of the setting sun fills up the room. It looks nice in photos, and it’s good to know that you can recreate it at any time of day. In this video from Adorama TV, photographer David Bergman will show you how to mimic the warm sunlight using only a single speedlight.
Shooting on location presents all kinds of lighting challenges. You’re at the mercy of the weather, and thus the light. And which light is “best” is a huge matter of personal preference. Some prefer the softness of a cloudy overcast day. Others like that harsh bright direct sunlight. Although the latter is not always that flattering.
There are things you can do to overcome this bright harsh sunlight, though. This video from photographer Manny Ortiz shows us his process, and how he works through these challenges. And it might surprise you to see that not all of them require the use of flash.
I was just raking up the last of the fall leaves and though that I’d like to get some photos of the kids jumping in my big leaf pile.
The image I had in my head was one of those amazing fall days where that gorgeous warm glowing late day sunshine was back-lighting the leaves and highlighting the kids.
Problem was: by the time I was done raking the leaves, it was petty late in the day so most of my yard was in shade, and the ambient light that was available was coming from the wrong direction.
To get the photos I wanted, I decided to fake that late day warm sunshine glow with strobe sunlight. In this article, I will show you how to do it yourself (its actually pretty easy to get great results)!