Welcome to this multi-part series of articles on Exploring Small Strobes by Yanik Chauvin from Yanik’s Photo School.

In part 1 on Exploring Small strobes, I looked at why using flash guns instead of the built-in flash and studio strobes. In part 2, I went through the importance of using your speedlight off camera.

What I’ll be going through today, in part 3, is looking at how to trigger and control your speedlights off camera; more specifically wirelessly. You’re probably saying to your self, it’s about time Yanik gets to the practical stuff! And you’re absolutely right! But I had to convince you first! ;-)

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Welcome to this multi-part series of articles on Exploring Small Strobes by Yanik Chauvin from Yanik’s Photo School.

You’ve probably heard or read this a gazillion times by other photographers so I thought that I would be the gazilionth and one to tell you that creating a great photo is all about lighting. Light is what sculpts your scene. You can have the best composed shot but if your lighting is crap, good chances that your shot will be also. And sometimes to get good light, you’ll need to work with artificial light sources. One of the most popular light source used by photographers are strobes; also called flashes.

So I figured that I would give you my insights on small strobes (also known as flash guns or speedlights) in this multi part saga here on DIYPhotography.net. So let’s get right to it, shall we.

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Chase Jarvis put up a rapid fire video going from nothing to product-final in just a bit over three minutes.

So, OK, there is no way to actually do all the things in the video in three minutes. But if you are looking for some quick intro about what is the process behind commercial photography, you are in for a treat.

If you liked this video, you may want to check out Chase's blog. On the top right there is a bunch of more goodies and videos.

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If you, like me, have little money to spend on big expensive lighting, you can start up your flash photography with a small flash (AKA strobe).

Actually some of those are so cheap, you can start off with a few, or add strobes as you go along. I started with 1 small flash: The Nikon SB 28, added the Nikon SB 800 when I got my D70, and when I needed more light, I added the Nikon SB 26. The SB 26 sells for about 100 USD on eBay and other small flashes like the famous Vivitar 285HV sells for about 50 on eBay and about 80 for a new flash.

If you indeed choose this path (which from now on will be called the strobist path) there are several very useful resources on (and off) the web for you to learn how to perfect your small strobe lighting technique.

I have deep appreciation for all photographers listed below, they all helped me learn and grow to the photographer I am today.
This is why I am shamelessly promoting sharing their recent and not so recent projects.

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A while back I posted a great lighting project by Alex Campagna called the DIY Spiderlight.

The project successfully aimed at building the Wescott TD5 Lighting fixture (AKA Spiderlite).

Alex even threw in a DIY softbox to complete the design.

If you've wondered what's so good about them spiderlites, Scott Kelby from Photoshop insider shares a great video that has all the good reasons to buy on (or better yet, to build one). See the video on the full article.

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Pro Photo Life is a site to adore. Jim features videos, business articles and Lighting and studio techniques and plain fun.

His latest installment is a video showing three basic lighting techniques using just one light. Rembrandt lighting, Butterfly lighting and Edge lighting. All really easy to set up and will give three very distinct and diverse looks. Read on and watch the video.

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I really wanted a speed strap. Ever since the restrictive light post over at Strobist, I wished for one of those magical straps. If you are not familiar with them look at David Honl's site, it is filled with goodies.

"Why do you need one", you ask? Because they are A - Really good at blocking light. B - Small and can get in my small bag when I go out for a shoot and C - They are just too cool that I could not effort not having one.

I even designed a new one. (Not so good, more on that in a few lines).

Then I decided that I am going to get one from Amazon. Since I (like my eight months son) can not delay satisfaction, must take photos to live, I made a new one that really works (and inspired by the Thomas Schwenger Complete Two Seconds Lighting Kit). Click to continue ›

The Readers Project column is one of my favorite columns in the DIYP. It is a column that brings you DIYP readers to front page and let you share your experience with the rest of DIYP community. (See the bottom of this post for more projects).

There are actually a few ways to get featured in the Readers Projects column: you can post the setup and explanation to the Flickr Image Pool or Discussion threads; you can drop me a note, or you can give me a call (ok, no one has actually done this yet, but I am open...)

Spiderlights are a great source of light. Basically a Spiderlight is a mount with five sockets with which you can do whatever lighting you want: fluorescent or PL bulbs, hot lights or bulb-strobes (Jim from ProPhotoLife has a great comparison of your options here). The only rebuke is the price: if you want to get your hand on one of those, be prepared to bye-bye a few hundreds of dollars. Click to continue ›

Photographer J. Chris Hansen built the soup bowl beauty dish for his photography studio. It was all well and dandy while it was mounted on a speedlight. But when he tried to mount the beauty dish on an Alien Bee flash they melted. Luckily for us, Chris did not give up and upgraded the design to use stainless steal bowls. From here it is all Chris. Click to continue ›

Not too long ago, I have posted an article about making a strobe from a disposable camera. I was soon after that I called out to the great community of DIY photographers to make a disposable ringlight from such disposable camera strobes. And why not - they are cheap, available and do not require too much power.

In my mind there were three main challenges in making this project work: 1. Chaining the camera flash units; 2. Triggering the ringflash remotely; and 3. Powering the individual flash units.

Dave Ajax (Divet) from the DIYP Instructables group has risen to the challenge. Dave was also kind enough to allow me to post the full tutorial on this site, keeping the great tradition on DIYP Instructable projects like the Time Lapse Photography project, the Ingenious Camera Stabilizer and the Muslin Backdrop project.

Intro - Disposable Camera Ring Flash

Build a disposable camera ring flash. Disposable cameras are discarded after the film has been removed. Photo labs often have boxes of them under the counter, waiting to be recycled. If you ask nicely, you can often get more than enough to experiment with. Try to get at least six for this project, all of the same type.

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