My name is Spyros Papaspyropoulos and I am one of the co-founders of www.streethunters.net, a complete and free online street photography resource. I was asked by Udi the chief editor of DIYPhotography.net to share with you the results of a little project we did a month and a bit ago. A project that resulted in the first ever crowdsourced list of the 20 most influential Street Photographers.
I posed a question to the DIY writing staff last week. I was wondering how many of them still read hard-copy photography magazines, and if so, I wanted to know if they subscribe or just purchase the occasional issue. It’s something I’ve been curious about for a while. After all, when you think about just how much information is out there and readily available, you almost have to wonder how traditional magazines are still making a go of it. The results of my informal survey were a bit underwhelming, but it was as I suspected– most people simply don’t subscribe to traditional magazines anymore. I still get a few, but then again, I also remember a pre-internet world where you had to put forth some effort and seek out knowledge and information.
The reality is, however, that while traditional magazines may no longer have the same widespread appeal they once had in the photography community, the same cannot be said for books on the subject. Again, I’m not talking about e-books or any other electronic conveyance. I’m talking about an actual collection of pages, all bound together in a single unit, containing all kinds of useful information and insight. It’s something I can hold in my hands. I can highlight it and bookmark it. Flip back and forth between sections. Compare and contrast different chapters without having to swipe, scroll, pinch, or flick my wrist for anything other than turning pages.
Fall is in the air again, which means– among other things– that I’m back in the classroom, teaching my digital photography class for kids. I have some great students this year, ranging in age from 10-14, who have already impressed me with their curiosity, talent, and desire to learn. One of the things that separates my class from other photography classes is that I don’t require my students to have a particular level of camera. As a result, I have students with DSLRs working side-by-side with students who photograph with the most basic of point-and-shoot models. By making it less about the equipment and more about how they see the world around them, some pretty cool stuff happens.