Using Sony A7II + Mitakon 50mm F0.95 For Wedding Photography

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A little about me,

First, I’m a wedding photographer based in Melbourne, Australia.

Second, I’m a HUGE fan of large aperture lenses. I shoot every lens almost 100% of the time at the maximum aperture possible. At any given wedding, over 90% of my photos are taken with 35mm F1.4, 85mm F1.2, and 200mm F2.0, each at its widest aperture setting. I’m also one of the few people who use F1.2/F1.4 for group shots.

I also have a Sigma 50mm 1.4 Art lens, beautiful, beautiful piece of glass, image quality is extraordinary, but I still find the aperture a bit tiny ?? That’s why I bought the Sony A7 II + Mitakon 50mm F0.95 combo, because I just simply have to have the largest aperture possible that is within my wallet depth.

I get criticised for this a lot: “What if you want to vary the DOF?”, “What if you want multiple subjects in focus?” “You’re one of those newbs who think aperture is everything” etc. blah blah

[Read more…]

Sigma 50 Art Lens Compared With The Canon 50mm F1.2L

s50a-50l-01Up until recently the question of getting an original branded lens (e.g. Canon, Nikon) vs a 3rd Party lens (e.g. Sigma, Tamron) was not really a question. If you could afford the original brand lens, the answer was, go for the original.

However, with Sigma’s recent ART lenses things may have changed. Photographer Will Chao took both the Sigma 50mm f/1.4 ART lens and the Canon EF 50mm f/1.2L USM Lens for a head to head battle and the results are not as conclusive anymore.

The photo at the top of the post and the photo below are an easy daylight test for the lenses. [Read more…]