Tamron has introduced two new lenses: tele-zoom SP 70-200mm f/2.8 and ultra-wide 10-24mm f/3.5-4.5. They feature improved optical performance and some new features to make image quality even better. These lenses are versatile, affordable, and definitely competing with Nikon and Canon in terms their prices.
The winter sun was low to the horizon as I steadied myself upon a rather uncomfortable wooden perch. My back to the sun and downwind, target in clear sight, I drew in a deep breath then slowly exhaled as I prepared to take the shot. At the bottom of my breath I waited for that brief moment between heart beats as I took up the slack in my finger. Thump thump… Thump thump… squeeze. The sharp report from my mouse-click heralded the confirmation of success. “Congratulations, you won! OLYMPUS OM-SYSTEM S ZUIKO AUTO-ZOOM 28-48mm F/4 MF Lens W/HOOD (HAZE)”.
One of the “fun facts” I remember from my photography classes was that “wide-angle lenses are not for portraits”. Of course, you can always experiment and photograph people with wider focal lengths, but the truth is – it does make them seem a bit weird in the photos. This fun gif shows precisely how the change of focal length affects the face of a person you’re photographing.
Canon has just announced the upcoming release of the EF 35mm F1.4L II USM, an upgraded version of the wide-angle, L-series prime lens. Boasting features such as 14 optical elements and an improved water-resistant housing, the lens is also the first in the world to implement Canon’s new Blue Spectrum Refractive technology, significantly reducing chromatic aberrations in-camera.
“The new Canon-developed BR optical element offers characteristics that significantly refract blue light,” states Canon’s press release, “which lies within the short-wavelength range, to achieve impressive levels of chromatic aberration correction for outstanding imaging performance.” The BR technology essentially takes light from the blue wavelength spectrum, which has proven difficult to properly refract, works to better refract the light to a single focal point.
Rule number one: there are no rules. A ‘mistake’ may not necessarily be a mistake if it helps convey the message or story or feeling intended by the photographer. I can easily think of multiple examples that go against every scenario described below. That said, for the most part, I’ve found these ‘mistakes’ to hold true. And if you want to achieve something very specific, then you either won’t be reading this article in the first place, or you’ll know when to bend the rules. The general viewing public probably has some preformed opinions of what is right/good, but these are born out of as much ignorance as conditioning by companies trying to sell more software or lenses or something else. There are rational reasons why these opinions may not necessarily be right in the context of fulfilling creative intention.
With the latest entry in Ricoh’s Pentax Q-series, it looks like the company decided to take a page from Motorola’s precedence. The new Pentax Q-S1 comes in a choice of five body colors and eight grip colors, giving us an overwhelming 40 different color combinations that are made ready to order. But is that all that sets the new camera apart from last years Q7?