The Westcott Eyelighter Will Give Wonderful Eyes. In Camera


One of the holy grails of beauty retouching is perfect eyes. Actually, getting good lighting on the eyes would probably be one of the first things you would lean in a beauty retouching workshop, maybe after perfecting skin. One of the “secrets” to getting good light on the eyes is getting a slight moon-shaped highlight on the bottom of the eye. Dave Piper covered that a while back on his eye’s retouching tutorial, but what if you wanted to get this in camera?

I just stumbled upon this great lighting modifier over at Neil van Niekerk’s Tangents blog. It is called the The Eyelighter and only does one thing, but it does it well: It provides a light that gives an arched reflection in the eye.

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Hey Westcott, Here’s a Great Way To Tilt The Apollo

Hey Westcott, Here's a Great Way To Tilt The ApolloThe Westcott Apollo is one of my favorite light modifiers. You’ve seen it featured a ton of times on DIYP. It’s one of the more bought items on the Gear Guide, and we like it so much that we even gave one away a while back.

If you wanna see it in action, check out how Benjamin Von Wong pushed it to the edge with fireworks (or a more traditional shoot by Zack Arias).

Anyhow, the unique softbox-like light with the umbrella ease and strobe-friendliness makes it a great tool to have in your on location lighting box (or bass case).

There is only one small thing which is not perfect about the Apollos, they don’t tilt. Really. If you are shooting with an Apollo on a light stand, you are pretty much limited to having the box point forward or sideways. It is not trivial to have it look 45 degrees down.

Basically, the Apollo gives you two options: Great light, with the strobe very close to the back screen, and almost no tilt. OR, you move the strobe closer to the shaft base (the zipper on the bottom of the Apollo allows this) to tilt, but then you risk hot spots. [Read more…]