Back in the mid-1800s, August Toepler gave us a way to be able to look at sound. Not synthetically visualize it- but actually be able to look at it. His invention was called Schilieron Flow Visualization; by implementing the complex technique into your camerawork, you’ll actually be able to see waves. Whether it’s the waves made from the snap of your fingers, or the waves from the hiss of an opened Pepsi bottle- you can see the noise they make. And NPR released a video that shows you how its done.
Video and autofocus don’s usually go hand in hand. After all, focus is a creative decision and the camera, sophisticated as it may be, can’t know where you want to focus in a scene.
What you usually do is pre-mark focus points and change between them using a programmable follow focus or a focus puller (think a person dedicated for shifting focus).
Andra seemed to have solved both issues in an ingenious way. It provides state-of-the-art iPad controlled follow focus, which is nice, but not new. What’s new is the way they pull autofocus and focus shifting. Rather than pre-focus key elements of the shot and mark them, the Andra system allows using a small sensor to continuously monitor a an object in space. [Read more…]
If you’ve been upset with you the video that you iPhone produces, you may be pleasantly surprised with this new iPhone app: Ultrakam.
The App claims to provide full, uncompressed video from the iPhone 5 coming at 2K resolution (roughly twice the res of full HD – 1936X1446). iPhone 5S can push this res a bit further to 2240×1672. Both using the H.264 iFrame codec. [Read more…]
It is a fairly known fact that Canon videographers can magically “upgrade” their cameras using the Magic Lantern custom firmware. This firmware gives the camera some nice control features, but I suspect that this firmware is usually installed for the better video it provides (raw video, dual ISO, better dynamic range and so on).
Sadly, Nikon users do not have that option. Until now.
The folks at Nikon Hacker recently released a beta load with an upgrade to the camera bit rate output. Depending on the Nikon Body, you can get up to 64mbps (D7000) as opposed to the 24mbps that the camera ships with from Japan. [Read more…]
Grading and Coloring are part of the creative workflow that any piece of video goes through (or at least any fully produced piece of video). It controls the overall ‘feel’ of the movie. When I started doing movies in addition to stills this is one of the things that got me on the first few times. It is a very similar concept to using curves, hue/saturation and other tonal and contrast tools on a photograph.
Colorist Rob Bessette of Finish Post gives a great introduction into coloring a video (hosted by Rule Boston Camera). It covers everything from what coloring actually is, through basic principles, setting a monitor up and ends up with a spectacular demo of coloring a commercial. If you are unfamiliar with coloring, you would be surprised at how different a movie looks once a colorist is done with it. [Read more…]
What if superman had was wearing a GoPro? Of course he does not probably need it having super memory, laser vision and that huge holodeck in the pole. But what if did?
His day may have looked something like this. The creative team at Corridor Digital made a short video showing the man in blue returning a camera to its owners, while flying the blue skies of LA.
Of course, CD did not actually have access to Clark Kent so they used a DJI Phantom 2 and a GoPro 3+ to take the flying shots and a real (cape wearing) actor to take the person shots and have a bit of a shake to cover the cut point. [Read more…]
Thanks to Planet 5D for the heads up on this!
Disclaimer: if you have a weak wallet, then don’t read this.
Actually, in this case, all of our wallets are most likely crying in the corner, so it’s okay. Just appreciate the camera, I guess.
Panasonic took part in a press conference just yesterday in New Jersey, where it announced a new entry targeted towards the high-high-high end market of cinema. The 4K camera/video-recorder is titled the VariCam 35 (AU-VREC1), and it claims to be a powerhouse in handling a variety of formats.
Earlier today, the 2014 Mobile World Congress took place in Barcelona, and it came packed with quite a few noteworthy stories. Nokia announced the immediate release of not one, but three Android-powered mid-range smartphone models; HTC announced its next entry to the mid-range Desire, sporting a 13MP camera; Samsung – well – remained Samsung with its overall minor update to the Galaxy S line (but hey – maybe that’s just my inner design critic getting frustrated at how much hasn’t changed about the phone’s look). Even if the Galaxy S5’s been grabbing most of the headlines for MWC, Sony still ended up bringing itself a good amount of attention with the products it unveiled today,
Out of them, the Xperia Z2 was what garnered the most interest. Sony’s latest addition to the Xperia line comes in bold colors, as well as bold promises; the waterproof phone packs a 20.7 megapixel camera, one which the company is proudly calling the “world’s best mobile camera”.