Tutorials don’t need to be long and in-depth to get the point across.
Lighting gear can get really expensive really quick. $500 for a speedlight, $300 for a softbox, $100 for a light stand and mounting device. Already, that’s almost a grand for one of the most simple lighting setups out there.
Not all strobes shots need to be big budget though. Photographer Matt Granger has shared a video showing how it’s possible to achieve an impressive off-camera flash portrait for only a tenth of the above example. [Read more…]
As somebody who owns what some would describe as a ludicrous amount of speedlights (although, nowhere near as bad as Joe McNally), and regularly grids some of them to provide a selective rim light or to throw a little splash of light in a dark corner of an environment, Chris Cameron’s project intrigued me.
3D printers are becoming more and more affordable, with technology advancing so quickly, getting faster and more accurate with each rapidly released generation, that I would bet most of us know at least one or two people who own one of some form or another.
Speedlights often go hand in hand with shooting portraits on the street, especially at night, but small flashes have one big issue. Due to their size, they often give very hard, harsh and unflattering light, especially if you’re forced to use one on the hotshoe.
After being asked to photograph a night time outdoor music event, and wanting the minimise the risk to expensive equipment, photographer Tom Simone came up with a DIY solution to help make that light a little bigger and provide a more pleasing look with help from a Chinese paper lantern lampshade.
Joe McNally is one of the photographers I first started
stalking following when I decided to start shooting portraits, and his books, The Hot Shoe Diaries & The Moment it Clicks, are two that will ever remain on my shelf.
Year after year, for several decades now, Joe has continued to inspire and educate photographers all over the world through his books, his blog, in-person workshops, and his YouTube channel.
In this five minute video, shooting a Nikon D810 with a mix of SB-900 and SB-910 speedlights, Joe introduces us to Dominick European Car Repair in New York, and explains how he turned a garage into a studio.
36 years ago, Profoto released a lighting accessory they called the Softlight Reflector. Today, we call this creation a beauty dish, thanks to its unique design that softens light in the perfect manner for portraits.
Last year I made an article about getting good gradient reflections on surfaces, but after a while of using this that I’ve come to realize that I actually get slightly better (and easier) results with a different technique.
You can consider this as he second part of the How To Get Gradient Reflection On Surfaces tutorial.
Before I started working with speedlights the first ever off-camera lighting equipment I used was a desk lamp, this was 7 years ago. So, after 7 years into photography I wanted to challenge myself to shooting portraits using nothing but desk lamps again. Here is a DIY dramatic lighting tutorial using lamps.
Cosmetic products are some of the hardest things to photograph. The combination of reflective, translucent, opaque and shiny surfaces makes it an absolute nightmare. Below you will find my quick and dirty method for dealing with those hard to shoot subjects.
JP Danko is a commercial photographer based in Toronto, Canada. JP
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
JP’s photography is available for licensing at Stocksy United.
Gannon Burgett is a photographer from Marion, Indiana. "Striving each day to make my dent in the universe"