Henri Cartier-Bresson fans will be excited to learn the famous street photographer’s classic book, The Decisive Moment, will be reprinted by none other than renowned photo book printer Gerhard Steidl. The re-release comes over half a century after it’s original (and only) release in 1952. The original printing was for a run of 10,000 books, 7,000 of which were in English, the other 3,000 in French. Despite being received with high accolades and essentially launching Cartier-Bresson to the forefront of the photography world, The Decisive Moment sales figures were poor and the thought of a second printing was abandoned. [Read more...]
Thorsten von Overgaard is a Denmark based portrait and documentary photographer a refreshingly humble approach to his craft. On a recent week long journey to Rome, Italy, Overgaard shared his insights with a team of filmmakers from Northpass Media to create this beautifully made mini-documentary about the philosophy that inspires the photographer.
The video clip is an winning exacta of inspiration and great photography. Of course, the latter probably has something to do with the fact that Northpass Media didn’t skimp on production. The team showed up in Italy with a RED Scarlet and RED Epic camera along with a set of ARRI daylight lamps to capture the footage.
You can do more gear gawking and take a behind the scenes look at some bonus photos Overgaard posted on his blog, but in the meantime take a look at his short film below…
I typed the title for this article hours ago. After typing it, I spent an hour answering emails, having a snack, watching a little TV, and checking up on friends and family in Israel. For a full hour after all of that, I stared at a blinking cursor. Taunting me. Vexing me. Daring me to write something meaningful. My wife just came into the office to see if I needed anything. She read the title from over my shoulder and asked, “Don’t you mean the photo you regret NOT taking?”
It’s a valid question. After all, in a world where I at least have my iPhone with me all the time, there is always a camera at hand. It may not always be a perfect shot, but I shouldn’t have too many regrets about photos not taken. “No, the title is right. It’s about the photo I regret taking.”
“This should be interesting,” she said, pulling up a chair. “Tell me about it.”
Let’s face it, nearly everyone has access to a camera of some sort. While that sort of access can be seen as a good thing, it also has it’s downfalls. With everyone and taking photographs of everything they see, it seems nearly impossible to get noticed as a street photographer nowadays. Even if your work is really good. So when I come across an upcoming–and entirely self-taught- photographer with the natural talent Norman Eric Fox has, I feel like I owe it to myself (and to the photographer) to stop and really pay attention to the work in front of me. And what’s more, Fox, a Vancouver based street photographer, has an especially heartwarming story to tell.
I stumbled upon Martin Weibel‘s photography and saw something I have never seen before, mixing candid street photography with projected light.
I wanted to learn more and engaged in a discussion with Martin. I asked him what was the inspiration for the series.
I am a Swiss based photographer who grew up in Lucerne, a real beautiful town in the center of Switzerland. My work mainly revolves around black and white street photography.
I love this [street photography] discipline because it’s always different, unpredictable, and unique. Each moment occurs only once. I love taking photos of people, even strangers. And almost everywhere you go you will find them. My curiosity about the human condition and how people go about their lives is what drives me. The opportunities that street photography provides are endless and the moments are always present, just waiting to be captured. [Read more...]
68 years old photographer Flo Fox is winning the war against will power every day. Born blind in one eye, she has been shooting for over 40 years, ever since she got her first paycheck and bought a camera.
She jokes that she had a built in advantage in the fact that she did not have to close one eye to take a picture going from 3D to a two dimensional state just to take a photograph.
Around 30 years ago, her eye situation deteriorated and her healthy eye started texturing and loosing sight as well, and she needed a cane. She than discovered that she had MS (Multiple sclerosis), and she slowly started to loose motoric functions. [Read more...]
Remember when I wrote about Quintessential Moments? It focused on benchmark or definitive moments in our growth as photographers. Maybe it was a photograph where a new concept fell perfectly into place. Maybe it was an image that had a profound impact on you– or someone else. One thing that I mentioned in passing at the end of the article was that you can’t force these moments. You can’t stack the deck and artificially create a defining moment.
I should have taken my own advice this past weekend.
Dragon*Con once again came to town, and with it came its annual parade. I have a pretty healthy comic book and sci-fi nerd streak in me, so it’s always a good time wandering around with my camera, getting fun shots of people with perhaps…well, let’s just say they take their love for these characters way more seriously I do. Way, WAY more seriously. And come on– who doesn’t love a parade?