Yesterday, Chinese smartphone manufacturer Oppo announced it has developed a SmartSensor, a smartphone sensor Oppo claims contains ‘the world’s smallest optical image stabilization technology.’ [Read more…]
A while back we needed to shoot some action so we looked for a GoPro Gimbal. The market has a ton. We got the Feiyu Tech G4 from RCgeeks (if you live in the US you can get it here), and we were very pleasantly surprised.
As a gimbal, it does what you’d expect from a gimbal – keep the camera smooth, but the marker-sized form factor along with the the great performance made it into a trusted companion. I carry it around and it produces instantly usable footage.
You can check the full review after the jump
The Osmo has just been announced and it is already becoming an object of desire for many videographers. The ability to get stabilized 4K footage in such a small form factor is absolutely mind boggling, especially when compared to the larger MoVI or a Ronin solutions.
The team at Lixi Studios took the Osmo for a ride, or rather for a jump. Trying to put the Osmo to its limits, the team tested it while running on trampolines, definitely not a sound environment. Results are quite impressing.
While GoPro supplies great footage it is often unusable without some sort of stabilization. Sometimes stabilization is made in post, with some cost in image quality, but we are seeing more and more options for stabilizing footage while shooting. This is what Aeon wants to do for your GoPro – “Create Smooth, Cinematic Videos“.
The Aeon has some very nice features under the hood and a very slick design as a the hood itself. Think Halo meets District 9 kind of look.
The Aeon is a 3-Axis gimbal so it provides all the stabilization you would expect from this kind of device (and the demo reel is quite impressive). But it also has some nice features to make it stand out.
The video pitch and some thoughts after the jump
With Gimbals becoming more common, it is not surprising that DIY versions emerge, and with the maturity of technology, they are usually pretty awesome. But this 2-Axis gimbal from Daniel Rhyoo stands out big time!
Aside the slick looks, light weight and carbon fiber finish, Daniel provides full instructions, as well as a full part-list on his site.
So, with HDSLRs becoming so affordable, some interesting options come up, like sub $2K rig that can really shoot decent video. Two very popular options are the GH4 from Panasonic and the OM-D E-M5II from Olympus, each with its their pros and cons. One notable feature of the E-M5mkII is its 5 Axis stabilization. And if you are shooting lots of hand held-on the move footage, this may be a deciding factor for you. The team at panophoto put the two cameras on a place and gave them a run.
A monopod made from string and a bolt is an old photographers trick that can help to eliminate vertical movement and greatly reduce horizontal movement while taking photos. While it’s not necessarily a full time replacement for a tripod, the handy DIY project can certainly help you out in a bind when you need stabilization but cannot use a tripod, plus it hardly uses up any space in your gear bag. [Read more…]
Just a few days ago Instagram announced their Hyperlapse app which creates in-camera hyperlapse movies. Quality is not a stunner, but it definitely hint on the possibilities. Here is the trick, Instagram uses the in-phone gyroscope to stabilize the footage.
This is a great idea (as Ben noted), and in fact I think that all cameras should have a gyroscope built into them. In fact, I predict a trend coming in the next wave of camera to have a built in Gyro. For more than one reason:
Shooting aerial footage with a DJI Phantom and a GoPro can be an awesome thing, but while the system takes care of getting the camera in the air and actually capturing some video, it has an inherent flaw which creates a Jello Effect if the rotor vibrates too much.
And indeed both the net (and the stores) are filled with tips and advice on reducing this Jello Effect. If you want a deeper understanding on where this effects comes in the first place, take a look at our rolling shutter intro. Anyways, it’s there.
The secret for reducing the jello effect is to disconnect the vibration coming from the DJI rotors from the camera. And this is exactly what the team at Human Resources did.
You probably noticed how shaky GoPro footage is. The combination of the camera being so small and so light practically outsources stability to the photographer.
There are some GoPro dedicated Steadycams in the market which will help with stabilization, but if you just need a quick smooth shot, you would not believe how easily you can make one. After watching this short from Mic Bergsma you would never stop kissing your GoPro too. [Read more…]
JP Danko is a commercial photographer based in Toronto, Canada. JP
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
JP’s photography is available for licensing at Stocksy United.