As a professional photographer, you really need to know your stuff. And there are some things you should be able to do fast, without thinking or even without looking. Ed Gregory from Photos in Color has a list of 16 things every photographer should be able to do in less than 10 seconds. If you’re a newbie, you may still need more time to do some of these things, and pros should already be able to do them in no time. Can you do them all in less than 10 seconds?
What does it mean to be a professional photographer, and what makes you a professional photographer? Is it about earning money and making a living from photography? Or perhaps there is more to it? In his latest video, Joe Edelman tries to give an answer to these questions and define what makes a professional photographer. And according to him, it’s definitely not just about the earnings.
Brides Magazine is all about weddings, yet they don’t really seem to like wedding photographers. After they advised the brides not to feed their photographers, now they have another “ingenious” piece of advice. They say you should hire a professional photographer, but they consider pros only those who use Nikon or Canon. And only full frame cameras come into consideration!
Many photography lovers and enthusiasts dream of making money from their creative hobby. But when you make the decision to become a professional and full-time photographer, you realize it’s not actually easy, and creativity alone is not enough. If you are thinking of switching from a hobbyist to professional, Matt Granger has created a pretty straightforward video to help you on the way of reaching your goal.
As a photographer, I’m sure you’ve been in those situations when people ask you to work for peanuts, or even worse – for free. Not many things annoy me as the sentence “Come on, it’s only a few snaps.” No, it’s not. Of course, there are some instances when you can and should work for free. But you shouldn’t undermine yourself and your work. The artists also have bills to pay.
However, it can be unpleasant and tricky to tackle the situations when you are asked to do free or low-budget projects, or those that don’t suit your terms. This is why Jessica Hische has created a handy tool to help you cope with situations like this and choose proper reply for different offers.
Selfie sticks have been around for a while, and (unfortunately) it seems they are here to stay. They serve as a tool to help you take a photo of yourself with (or without) your friends and get everyone in the frame. But, is it that easy to take a high-quality, artistic selfie with a selfie-stick? This “professional selfie-stick photographer” hit the streets of New York City and offered people to help them take professional photos with a selfie-stick.
This is something I’ve been pondering for a while now and man has it got me excited! What happens when you get a photographer who retouches his own images vs a retoucher who does it for high end clients as a living? Let’s find out the results!
It’s no secret that the photography market is no longer the exclusive realm of professionals. This is not necessarily a bad thing, especially if you’re the client, but with so many “professional” photographers out there these days it’s not hard finding a dud.
Be it your next door neighbor who just bought a DSLR, his grandchild who believes his 16 megapixel smartphone camera is just as good as the D4s or your sister-in-law’s cousin who has been photographing weddings as a side gig when he isn’t working at the corner deli, anyone of them has a reasonable chance of getting hired for a low-budget project where the client is mainly concerned about price.
Some moments, however, are too precious to risk with an amateur and that’s exactly the message the video below brings home.
Everyone is a professional photographer these days right?
Well, if you want to add some legitimacy to that claim, there are a handful of specific photo styles that are really the foundation of a professional photographer’s tool kit.
These may not all fit your personal style, but the technical proficiency needed to capture these photos are relevant to all photographers.
So if this is the year that you want to make the jump to pro photographer, here are 8 photos to learn this year.
We are our own worst critics. This much we know. The problem is, photography is one of those things where we have to be self critics to get better. Finding that delicate balance between beating ourselves up and being too easy on ourselves is a problem we have all struggled with in one way or another. But, as Mike Browne explains in the video below, we’re probably making it more difficult than it needs to be. Listen as the award winning photographer and educator dishes out his synopsis on why hating the photos you take is preventing you from getting better and what you can you do to fix it. [Read more…]