Photographer and filmaker, Julian Tryba, is a big proponent of the do-it-yourself movement, having gone so far as to build a robot that follows people around and photographs them using information sent from their smartphones. But, that robot thing? It’s cool and all but, for Tryba that was college play. Now, he’s expanding his creativity through innovation by developing an interesting new way to edit timelapse footage. Drawing a little inspiration from Einstein’s relative theory, Tryba is using a technique he’s dubbed “layer-lapse” that’s similar to timeslice photography. [Read more...]
As expected, mobile and touch capabilities were the star of the show at Adobe’s Keynote this morning. The majority of the presentation revolved around product demos of their mobile apps, some of which are new as of today. Photoshop Mix, a mobile app that caters to non-destructive photo editing on the go, looks surprisingly strong for composite photography, and is now available on iPhone (iOS7 or greater). All of the mobile apps are deeply integrated into their desktop versions thanks to Adobe’s Creative Profile, which makes all your projects accessible throughout all your Adobe programs, mobile or desktop.
One of the questions I get a lot comes from new photographers wanting to know whether they should be working in Photoshop or Lightroom. I particularly enjoy their deer-caught-in-the-headlights look when I reply, “Both!” While it’s true that either of these incredibly powerful Adobe tools could, in theory, provide photographers with everything they need to edit their images, I really am a firm believer that a strong workflow rests on a solid foundation of both PS & LR. Having said that, though, learning just one of these applications can be a daunting task for even the most dedicated photographer. Learning two can seem insurmountable.
I don’t know about you, but I got into photography so I could spend my time taking photos. What I did not get into photography for was the post production, the marketing, the meetings, the consultations, the pitches, the proposals, and the networking. Or the countless hours away from my family. For that I could have kept practicing law and left photography on the shelf as a hobby. The things we do in life always look different to those on the outside looking in. Just like my non-lawyer friends were convinced that all of my courtroom appearances were worthy of a “Law & Order” script, I find that many of the non-photographers in my life have a totally warped view of what those of us who make a living with our cameras do every day. Realistically speaking, I’d have to say that maybe only ten percent of my life as a photographer is about shooting. The other ninety percent is the stuff that makes me wish I could afford a full-time assistant. For me, it comes down to the best use of my time. Does “insert activity here” take time away from shooting and/or family? If so, what I can I do to switch that around?
Post-production focusing is something that’s gotten a good amount of attention in the past two months, thanks to the new HTC One and Google’s latest Camera update. But those guys weren’t the first to mess with the technology. Two years ago, a company named Lytro introduced the world’s first light-field camera, which allowed the refocusing of pictures after they’ve been shot already. Their first camera, however, was nothing more that a nice gadget with no real use. Today, the company announced their second entry into the game, and it’s absolutely nothing like what they released back in 2012.