10 Posing Tips For Brides-To-Be

Having worked on many bridal shoots as a model and involved in several real weddings before, I’ve picked up some things that I hope might help a few others. If you’re part of the wedding industry then please feel free to share this tongue in cheek guide with your clients, whilst understanding that although it’s a bit brazen, it might actually be what they need to know!

Dear Bride-to-be,

Posing for the camera: There are certain posing tips that apply to all women whether they are wearing a bridal gown or not. However, your wedding day is the time when you’ll really want to put theory into practice and believe me it makes all the difference. Here are my top ten bridal posing tips;

1. Where to hold your flowers - Aim for just below belly button level. Not too high and not too low. This pushes your arms out with a slight bend at your elbow, avoiding crushed skin and bingo wings. It also acts as bonus stomach coverage. #Winning

image by Bentham Imaging.

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1000 Beautifully Photographed Poses From Supermodel Coco Rocha

coco2As much as we’d like for our clients to just naturally know how to pose for a photograph, we have to be realistic; it’s never going to happen. Part of the portrait photographers job, in fact, is to be able to tell their subjects how to pose and present themselves in front of the camera and, just like our subjects, we’re not always the best at posing, either. Fortunately, supermodel Coco Rocha (aka “The Queen of Pose” ) has teamed up with iconic photographer, Steven Sebring, to publish the super useful book Study Of Pose. [Read more...]

Posing, Light And Selective Composition – Getting The Best Out Of A “Nowhere” Location

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Today we are hosting a tip from Neil van Niekerk who also runs the excellent tangents blog.

Framing very selectively in-camera, you can very often pull out quite a surprising image out of “nowhere”.

With Julia and Luis’ wedding, I roamed around the reception venue – a bed & breakfast on the Jersey shore, for interesting spots. There were interesting nooks and crannies that would work for the romantic portrait session. But I also like adding variety, especially unexpected variety.

I went through a back-gate, and into a parking lot behind the venue. This gate was the delivery entrance for the venue’s kitchen, and the parking lot was, well, just a parking lot.

But, I loved the texture of tye wooden fence and gate, and the late afternoon sun really brought out the texture. I hurried back inside and asked Julia and Luis to join me – I think I may have a great idea! I shot it using the following settings: 1/250 @ f/5.6 @ 200 ISO – available light only Nikon D4: Nikon 24-70mm f/2.8. [Read more...]