Poignant Portrait Series Show Shelter Dogs Moments Before They Are Euthanized

10:54PM, Taiwanese Public Shelter, Time Until Euthanized: 1.2 Hours

10:54PM, Taiwanese Public Shelter, Time Until Euthanized: 1.2 Hours

Taiwanese photographer,Yun-Fei Tou, has been working on a portrait project which focuses on very heartbreaking subject matter. Memento Mori introduces viewers to shelter dogs in the last hours of the dogs life. All of the dogs, some healthy, some victims of severe neglect, are unknowingly waiting to be euthanized by one of the government run pounds in Taiwan. Though, that’s not to single out Taiwain, as this type of thing occurs all over the world. [Read more...]

The Types of People You Find in a NEW Photographer Facebook Group

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Lynn Cartia (AKA Missy Mwac) wrote this wonderful list and we are happy to share it with you.

The Expert: This is the photographer so eager to prove that they know all the things, that they jump into almost every thread with their advice. The advice is normally given with all the smoothness of sandpaper. The Expert is the end-all, be-all in his/her opinon and when questioned, will more than likely respond with, “You’re wrong. I’m pretty much always right.”

[Read more...]

How To Photograph A Wedding With One Photographer, One Camera, One Lens and One Flash

In our recent article How To Make Money As A High End Wedding Photographer, we explored the high end wedding photography market.

But, it seems that the more I am able to charge for a wedding, the more complicated and stressful wedding photography becomes.

So recently I have decided that I would like to simplify my wedding photography a bit – get back to basics – unplug if you will.

how to photograph a wedding jp danko toronto commercial photographer

In this article I will take you through my simplified approach on how to photograph a wedding with just one photographer, one camera, one lens and one strobe.

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My 12 Hours With Jerry Ghionis: A Review of the “How to Wow” Tour

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Let’s face it– there is a LOT of photography education out there to be had. Some of it’s great. Some of it’s good. Then some of it– a lot of it, unfortunately–  is simply sub-par and not worth your time. Some of the best, though, is currently coming from a company you may not have heard of. Founded by former Monte Zucker assistant Jeff Medford, MZed (formerly Monte Zucker Photographic Education) is bringing together some of the biggest names in photography, in an effort to provide some of the best photographic education available– in person or online.

[Read more...]

8 Reasons Why Professional Photography Is Harder Than it Looks

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It happened again about a week ago. The Conversation. You know the one. It starts innocently enough.

“You’re a professional photographer?”

“Yes. I am.”

“Wow! That must be so exciting.”

“Sometimes.”

“No, I bet you go to all sorts of cool and exciting places, and meet lots of interesting people.”

And so on and so on.

[Read more...]

Photographers: Why We Should Share What We Know

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I think I feel a bit of a rant coming on.

First a little background. Something you should know about me. One of the many reasons I decided to leave the practice of law almost ten years ago was the constant adversarial nature of the beast. I thrived on it in the courtroom, but the daily incessant back-and-forth bickering was just making me miserable. Of course there were exceptions, but not enough of them to sustain my collaborative spirit. My initial reaction when I switched to full-time professional photography had me excited in a way I hadn’t been in years. I was fortunate enough to meet and get to know some truly amazing photographers– generous, creative, collaborative people who were willing to throw open the vault and share so much of themselves. The breath of fresh air was as amazing as it was refreshing. To a certain extent, however, it was also fleeting.

Let’s take a look at three photographers almost all of us know.

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The Joy of Photography – When You Capture Great Photos Without Knowing It

If you have ever shot film, you know it – the feeling you get when you sit down with that stack of prints that just came back from the lab.

The nervous anticipation: Is there anything good in here?

The initial disappointment:  Flipping through the first bunch of mediocre prints….meh, meh, ohhh…nope…meh…

Then you see it – its like getting a new bike for your birthday when you’re 10: The killer shot!  Yesssss!!!

If you began your career with digital, you still know it – the feeling you got when you didn’t really know what you were doing and just when you were about to give up: Bang – there is a fantastic photo staring back at you from your screen.

I have noticed recently that I don’t get that surprise of a completely unexpected great photo very often any more, or the joy that comes with it.

I mean, I have a pretty good idea how any photo I take is going to look before I take it.  Sure, I still produce a massive amount of duds compared to keepers, but it is rare that I capture something completely unexpected.

So, I though I’d share the stories behind a few of my favorite accidental photos.

Sailboat dinghy hull underwater jp danko toronto commercial photographer, underwater photographer

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A Review of the Ondu 135 Panoramic Pinhole Camera

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In the world of photography products, there aren’t many surprises. We see variations on themes. New strap styles may seek to innovate (and sometimes succeed), but when you get right down to it, they’re straps. “New and Improved” sensor cleaning systems may improve on those that came before, but it’s still a blower or a swab or an electro-static stroke of marketing genius aimed at convincing you that this next purchase is the one that’s going to put your photography over the top. I know…this all sounds a bit jaded, and maybe it is. A little. So, you can imagine how happy I was when something truly different found its way across my desk recently.

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Photoshop vs. Lightroom: What if You Had to Pick Just One?

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One of the questions I get a lot comes from new photographers wanting to know whether they should be working in Photoshop or Lightroom. I particularly enjoy their deer-caught-in-the-headlights look when I reply, “Both!” While it’s true that either of these incredibly powerful Adobe tools could, in theory, provide photographers with everything they need to edit their images, I really am a firm believer that a strong workflow rests on a solid foundation of both PS & LR. Having said that, though, learning just one of these applications can be a daunting task for even the most dedicated photographer. Learning two can seem insurmountable.

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