Like many, Joni Niemelä got his start in photography simply to preserve memories for his future self to enjoy. But, that was about 10 years ago and, as we all know, things can change a lot in that amount of time. In fact, after only about three years into his foray with photography, the Finnish photographer had his interest piqued by the art of macro photography. Since then, what started as a simple way to record one’s life, has turned into a full blown career and has earned the photographer clients such as Adobe, Zenith, Pentax, UPS and Lowepro. [Read more…]
Macro photographer Mark Thorpe (A.K.A PixelHobo) just sent us this awesome macro photography tip. The idea is to create a concave macro diffuser that will illuminate your (itsy bitsy) subjects from all around, eliminating shadows. He calls it ‘El Monstro’.
The build is easy as long as you have ample supply of gaffers tape
If you’ve never taken the time to slow down and take a good, close look in your own backyard, you could be missing out on a whole new world of beautiful and vibrant creatures. Take for example, Samuel Jaffe–a New England based photographer who specializes in shooting caterpillars. The photos, which are part of Jaffe’s The Caterpillar Lab, help to educate individuals on caterpillars native to their region, while also serving as some pretty incredible pieces of art. [Read more…]
We got a pre-release set of Sony FE 90mm f/2.8 G OSS Macro lenses in for preliminary testing last week, and I was kind of excited about this lens for a couple of reasons. First it simply gives me a nice short telephoto prime option that has been lacking in the lineup (although the Zeiss 85mm Batis lens will be coming along fairly soon). Second, it gives me a true macro lens at the focal length I prefer.
I hoped that the combination of a good macro lens with the A7r sensor would turn out to be a winner. We used our Imatest lab to compare Sony 90mm f/2.8 G OSS lenses mounted to Sony A7r cameras, and compared them with Canon 100mm f/2.8 IS Macro lenses shot on Canon 5DIII cameras in our Imatest lab. (For those who are curious, we can’t test Sony E mount lenses on an optical bench because the electromagnetic focus system requires electrical power to operate. Until we do some really geeky, overly complex engineering modifications, the optical bench isn’t an option for Sony E mount lenses.) It would have been nice to also compare with a Nikon D810 and Nikon 105 f/2.8 Micro lens, I know, but our time is limited.
The old adage “Don’t fix it if it isn’t broken” holds a lot of wisdom, but every once in a while a new product shows up to replace an old one that we didn’t fully realize needed to be fixed. In many ways, Adaptalux appears to be that kind of item. Using a combination of interchangeable, flexible lighting arms, Adaptalux hopes to revolutionize the way macro photographers and videographers light their photos.
Sam Granger, owner and CEO, says Adaptalux will eliminate three major problems currently found in the typical macro lighting setup. He says his nifty invention will battle the inherent restrictions of most light sources, reduce the amount of time needed to setup and start shooting, and save photographers money all at the same time. That’s enough to get my attention. Let’s take a look at their Kickstarter video to see how they plan to do it. [Read more…]
Lensbaby is stepping up their game and their latest announcement from just a few minutes ago moves the company from the “toy lenses” market into the big guys game. Their newest Velvet 56 lens is aimed at portrait makers and is an object of desire.
This gorgeous, 9-bladed, lens just feels good, it is constructed from metal and has some details engraved into it. It comes in the most wonderful box along with instructions and some art. If you really life to feel exclusive you can get a silver edition for an extra $100.
The Lensbaby Velvet 56 has a max f/1.6 aperture and as other Lensbaby lenses it has a spectacular bokeh beautifully shaped with 9 aperture blades, making it an interesting creative choice for portraits. The lens also features macro capabilities at 1:2.
The company, also known as Rokinon, has been rumored to release a 100mm f/2.8 macro lens and the teaser posted on its Facebook page suggests the announcement is just around the corner.
Samyang did not reveal much information, but left room for imagination as it promised unmatched featured.
The Wellcome Image Awards recognize science imaging talent and techniques and this year’s winners including some fascinating entries.
Scanning electron micrographs of a boll weevil and a greenfly’s eye, a clinical photograph of an elderly lady’s curved spine and a parasitoid wasp are just a few of the 20 winning images.
The winners were selected from all the images acquired by the Wellcome Images picture library in the past year, and are already accessible along with over 40,000 contemporary biomedical and clinical images.
Unlike other awards, the winning images, along with all content in the Wellcome Images collection, are available under Creative Commons license.
This tutorial is about how to obtain a large depth-of-field using focus stacking.
The main question is: Is it better to use a macro rail or is it better to vary the focus of the lens?
As Alex, I use focus stacking (or “deep focus fusion”) quite often and most of the time I just shoot a series of photos with varied focus instead of a series with varied distance, using a rail.
Until now I always thought, that approach is a bit dirty, because it introduces changes in the magnification, but often it was the only way, because the depth of the object was far too deep for any rail. Imagine for example shooting a landscape.
But now, I wanted to know for sure what is the better method and and did some tests.
One thing I can say to start with: With complex scenes, it is a good idea, not to change the position of the camera!
But now let’s take a closer look: