One of the questions I get a lot comes from new photographers wanting to know whether they should be working in Photoshop or Lightroom. I particularly enjoy their deer-caught-in-the-headlights look when I reply, “Both!” While it’s true that either of these incredibly powerful Adobe tools could, in theory, provide photographers with everything they need to edit their images, I really am a firm believer that a strong workflow rests on a solid foundation of both PS & LR. Having said that, though, learning just one of these applications can be a daunting task for even the most dedicated photographer. Learning two can seem insurmountable.
I don’t know about you, but I got into photography so I could spend my time taking photos. What I did not get into photography for was the post production, the marketing, the meetings, the consultations, the pitches, the proposals, and the networking. Or the countless hours away from my family. For that I could have kept practicing law and left photography on the shelf as a hobby. The things we do in life always look different to those on the outside looking in. Just like my non-lawyer friends were convinced that all of my courtroom appearances were worthy of a “Law & Order” script, I find that many of the non-photographers in my life have a totally warped view of what those of us who make a living with our cameras do every day. Realistically speaking, I’d have to say that maybe only ten percent of my life as a photographer is about shooting. The other ninety percent is the stuff that makes me wish I could afford a full-time assistant. For me, it comes down to the best use of my time. Does “insert activity here” take time away from shooting and/or family? If so, what I can I do to switch that around?
In a world of over-saturated color, candyfloss HDR and fake vintage film apps, its easy to forget about the simple allure of black and white photography.
Its also easy to forget that Lightroom has a fantastic set of black and white conversion tools built right in.
In this Lightroom tutorial, I will take you through my Lightroom black and white conversion workflow step by step.
Dear Almighty Adobe,
This is not a break up letter, you know I love you, but, I have questions going around in my head…. I really want to join the creative cloud, please help.
I love the idea of the Creative Cloud. Really, what’s not to love there. Laptop/desktop/tablet integration; instant updates; $10 for the photography plan. So why haven’t I moved yet. I actually consider moving almost daily. Well not daily, you know, but quite often. If you just made those really minor tweaks, I would hop over in an instant.
For a while now, Aperture has been Apple’s signature professional photo management app, similar to what Final Cut Pro and Logic Pro have done for video and music. After WWDC, however, things looked a bit bleak for the software after Apple announced its rollout of its new Photos app – the keynote went by with no mention of any updates on Aperture itself. Today, it’s been confirmed by the company that development on the software has officially ended.
As part of Adobe’s 2014 Update Bonanza! taking place today, there are a number of changes that are tailored purely for photographers. Adobe has long been associated with desktop photography software, but the company has been taking notes and listening to its customers and tailoring the experience for their key market.
Despite initial criticisms of the Creative Cloud subscription service, Adobe have embraced and furthered the software. This is largely with thanks to the access Creative Cloud has provided. Through the service, Adobe has been able to constantly drop updates and micro-features to customers as well as identify key areas of use and gather constant feedback to improve their services.
While there are many updates to other apps and the release of multiple iOS apps today, we will focus purely on those relevant for photographers. There are exciting changes to both photography applications within their Creative Cloud range as well as to their subscription formats.
Personally, I am still using Adobe Photoshop CS5. I purchased it while still a student (before I had to pay full price, although a trip from Australia to the US to buy the software may have been nice…) and I have never found a reason to justify the upgrade to CC services. Simply, the plans have never really enticed me for what I needed. They have always been a touch expensive for my liking (especially at first within Australia upon release) and offered me more than I have needed.
Today, I’m excited. With updates to Photoshop with very cool new functions that almost makes my CS5 look like a version of MS Paint with a nicer UI, and a new plan that has been created purely for photographers who only want applications applicable to them, I know that I will soon be throwing my credit card at Adobe. Add to that Adobe’s break into the hardware market, and today is a big day for Adobe.
Photographer Robert Rodriguez shares his view on the creative workflow using Lightroom. Interestingly, rather than focusing in the different modules and explaining what each button and slider does, Rodriguez goes one level upwards and discusses the creative workflow using Lightroom. (Don’t get me wrong there are a lot of sliders and buttons explained, just a different context)
The way that Rodriguez does that is focusing on the WHYs, and he starts with the vision with a strong tag line – Why is more important than how.
Rodriguez shares 4 concepts to facilitate the creative workflow: [Read more...]
If you have ever tried your hand at underwater photography, you will quickly realize that there is quite a bit of post production work required to produce professional quality images that have good white balance, nice contrast, sharp detail and vibrant colors.
In this video tutorial, I explain my personal underwater photography editing workflow in detail, using both Lightroom and Photoshop.
Adobe just released the much anticipated Lightroom mobile App. If you are an on the go creative, this is probably one of the things you wanted to see most coming out of adobe and finally a solid reason to move into the Adobe Creative Cloud.
The application enables synching photos between an iPad (or iPhone, no world on Android devices yet) and your desktop application via the cloud. but…. it also enables editing and tagging photos while making sure everything is in sync. [Read more...]
Slowly, but surely, the worlds of cinema and photography are abandoning film as a medium. In the consumer market, it’s arguable that film is already wiped from existence as a business; film is hard to find and higher in price as a result because of the small market that still demands it. In cinema, it’s endangered. A decent amount of directors still stick to it, but the production companies need to be ready for the budget cut the cost will take.
The problem is that there’s still an interest in film photography, but it simply takes too much effort to pursue for the general consumer. At the end of the day, however, it’s the vintage feel film gives that most people would like to emulate. VSCO‘s been offering solutions for that for a while now. They’ve been selling plug-ins for Adobe Lightroom, Adobe CR, Photoshop CC, and Aperture; each plug-in comprises a variety of filters that literally emulate different types of film. As weird as that sounds, it works. VSCO’s great at what it does, and they just released the newest addition to their film packs yesterday. [Read more...]