How To Get The Perfect Corporate Photo

Getting a good corporate photos has a lot to do with lighting. What should not come as a surprise if the fact that it also has a lot to with human interaction.

J.P. Morgan and the slanted lens crew walk through the ropes of a recent corporate shoot they did, and while they do talk about lighting (as always) I love the fact that they are investing a bit more time on this video about prep-work and talent direction.

The big take for me was not the lighting setup. It was the how to make sure the talent looks good and feels good, which definitely shows on the final image. (Yes, you will need to bring a steamer).

[One Light Corporate Image | The Slanted Lens]

Can DIY Modifiers Compete Against Pro Grade Modifiers?

Last week I wrote about why you would want to do a DIY photography project, but can it match up to pro gear? Challenge… Accepted!

This week I did a whole photoshoot using only DIY modifiers for main lights. With the help of my girlfriend and her friends to model for me, the challenge was on.

diy-vs-pro

The idea behind challenge was to prove that making your own modifiers and equipment is not all that bad compared to branded expensive material. (And before the first comment starts coming in, let me say that I do own a couple of Westcott softboxes and umbrellas, and I use them when needed or when working with high end clients, I just really like my DIY’s).

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When A Guest-With-Camera Saves The Wedding Photography

Have you ever knocked on the door of the bride’s suite on the morning of her wedding, camera in hand, ready to go – only to find some guest already there with a better camera than you? guest with camera wedding photography blur wedding studio hamilton wedding photographer

Well, this has actually happened to me on more than one occasion (which either says something about my gear or the confidence brides have in my abilities), but what happened this past weekend was unique.

Read on and I’ll share the story.

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White Water Kayaking Photos – Surprisingly More Difficult Than You Might Think

I can’t believe that its late August and summer is almost over.  It seems that every year I have a list of summer time photo sessions that I never get around to.

One thing I have had on my list for a while now is white water kayaking photos.

There is a world class white water course just down the road from one of the cottages we spend time at every summer, yet somehow I never end up with enough time to get out and photograph the kayakers.

Well, this summer I finally made time for it – and as it turns out, white water kayaking photos are surprisingly much more difficult than you might think!

white water kayaking photos photography jp danko blurmedia extreme sport commercial photographer toronto

In this article, I will share the thought process, camera settings and post production behind this series white water kayaking photos.

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5 Different Setups To Nail A 2 Lights Product Shot

There are a lot of things you can do with just 2 lights, actually, you can do some kicking products shots. Here are a few quick and easy product photography setups that you can add to your toolkit. (+ the occasional use of a DIY modifier)

Feature Image 5 different ways

For the whole shoot I was using a Nikon D7000 and a 18-55 kit lens. (kit lenses are awesome!)  I was using a mix of speedlights and studio strobes for the lighting. I also had a dust blower used for sensors to get dust off my subjects.

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15 Hard Core Lighting Setups To Have You Light Like A Ninja

15-setups

If you are struggling with your lighting sometimes it is a good idea to drop your camera for a while (ok, not drop, gently put aside) and get some inspiration from photographers who excel at lighting. Japan based photographer Ilko Allexandroff has a strong lighting style and he was kind enough to share 15 of his lighting setups with us.

If you want more info you can follow the three small little dots

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Create 4 Different Background Styles Using Only 1 White Seamless Paper

I only have two backgrounds in my (home)studio, a white seamless paper and a black wall. I use my seamless white paper for almost every shoot that I do, unless of course, I need to shoot on a black background (in that case I use the black wall). I always tell my students how important it is to have a a seamless white in your arsenal. It costs around $35, and while it is just one piece of equipment, it can be used to create many different looks and styles.  Here are some examples and lighting setups you can use that utilize a seamless white.

feature image white seamless
Of course, you can also use a canvas, a woven background, vinyl or any other “big white thing”. [Read more...]

Don’t Have a Polarizer? This Tutorial Just Might Convince You to Get One

Did you know that that when you use a polarizer in a wet forest, the color come out more vibrant because of the water’s effect through the lens?

Up until today, the only two things I knew about polarizers were that they make things go black when you put two together, and that they’re a feature in my American Optical Pilot Aviators (insanely affordable for their quality). Photographer Steve Perry, however, is so passionate about the polarizer that he made a ten minute long video tutorial over it. And don’t let that throw you off; this video doesn’t waste time. He spends ten straight minutes teaching you about polarizers, and it’s one of the most informative little pieces I’ve seen for a while now.

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How To Precisely Replicate The Light From A Scene With A Christmas Ball

One of the things that we constantly obsess about is lighting. How was this lit; what were the lighting ratios; was the light soft or hard; If you know all the answers to these kinds of questions you can recreate the lighting of a scene.

Of course you could sketch a quick diagram, but the good folks at CreativeLive (Felix KunzeSue Bryce) share a clever tip on using a Christmas ball to take a “snapshot” of the lighting on a scene.

Once your lists are set up, put the ball where the model is and take a snap. Since the ball reflects all 360 degrees of a scene it capture any light sources around it. Combined with the fact that it is black it makes it easy to spot any reflections.

Now, you do have to understand light to actually be able to reverse engineer the ball reflections (I strongly advice both strobist 101 and the Light Science & Magic Book for that), but if you can do the reverse engineering , this is away easier that figuring out the shadows.

[Super Geeky (and Effective) Trick to Replicating a Photo's Light | CreativeLive via ISO 1200]

P.S. into shiny little objects? check our tip about marbles and catch lights.