If You Want To Make Things Hard, Combine 4 Mirrors, Ground Fog And A Light Blaster To Create An Image

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There are these moments I have, lying in bed, closing my eyes and there it is: that idea that won’t let me sleep. Most of the time the idea get stranger and stranger as time goes by, because instead of being asleep, which is what I probably should do, I get inspired.

So I wake up and there it is: The telephone call, asking if you want to buy four mirrors. A few moments later I am standing with my first cup of coffee in my kitchen to realize what just happened:

  • I decided to build a ground fog machine
  • I just bought four giant mirrors
  • There should be some strange light, probably Light Blasting some structures somewhere…

I didn’t sleep very well the next night either, because I started testing my DIY-ground-fogger.

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Product Photography: Shooting A “Papo Seco” Wine Bottle

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Here it is a short description of the process for creating the image of the bottle “Papo Seco” to Pinto & Raposo.

For this shot I only had the 5 bottles my client gave me and the idea he wanted for the image…  He wanted “fresh” “clean” and “young” he also needed some blank space for adding text later on…

In the beginning I was thinking on using only one bottle…but as I had 5 bottles available I decided to try to use them all.

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How to Perfectly Capture Steam in Food Photography


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I normally hangout at a local coffee shop editing photos because it’s easier for me to concentrate (plus free electricity and air condition… not always easy to find those in the Philippines). On my last visit I saw a person holding a cup of steaming hot coffee and thought of this article. This will be a 2 part article on getting good steam shots for coffee shots or food photography.

We will be using ‘real hot water’ rather than photoshopping the smoke…

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Applying The Sunny 16 Rule To Strobes And Mid Day Shooting

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The Sunny 16 Rule is a great addition to any photographer’s toolbox. Basically it means that when shooting on a sunny day @ISO100 you’d be pretty close if shooting @1/100 and f/16. It is a clever rule because it is very easy to remember. 100 @ 1/100.

Photographer Neil van Niekerk points out that it is pretty easy to complement this rule when trying to overcome the sun with an external strobe. And his method means you can get a great exposure with no metering. The idea is pretty simple: setting your strobe to full power and using the strobe’s GN (Guide Number) to figure out where to place the strobe. This would get a pretty good first exposure.

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Eliminating Fill Flash Hard Shadows – A Controlled Test

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Defining the problem: While shooting a portrait outdoors, I usually add a fill flash to eliminate any “racoon eyes” and dark shadows on the face. The fill flash is set set at 1.7 stops under exposed for a light touch. My setup is a Nikon D600 with Nikon SB700 flash (mounted on the camera’s hotshoe) using TTL metering at -1.7 EV. In the example the lighting on the face is good (soft & directional) but you can see a hard shadow on the right side of the subject.

We have options…

There are a few options available, and in this test case I wanted to compare them

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How to Find Good Light for Portraits Even at Midday

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You’ve probably heard you need to have good light for portraits. Okay great, but what does that mean exactly, and how do you find that elusive good light? In this article you’ll get some tips on how to recognize different kinds of light, and make choices based on the look you want for the final portrait. You’ll also learn about open shade, quality of light, direction of light and how to bring it all together so that you can work faster, smarter, and with less gear. Let’s begin!

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