Do you follow the known rules of lighting when creating photography and videos? You can follow them, you can break them, but one thing is for sure – lighting is essential. In this video from NextWaveDV, you will get five (and more) tips for creating perfect cinematic lighting and making your video work more professional and truly fantastic.
According to theoretical physics, nothing is faster than the speed of light. However, now you can see with your own eyes the first ever recording of a “sonic boom” – created by light. Or scientifically called a photonic Mach cone. It was recorded by researchers at Washington University in St. Louis, and they used a custom high-speed camera to make the footage.
You’ve heard about sonic booms, and you’ve probably heard one at least once. They occur when an object exceeds the speed of sound. But if nothing is theoretically faster than light – how did they do this? In the description, the setting seems simple, and they built the custom high-speed camera – the fastest one in the world.
It probably goes without saying, but – professional lighting is expensive. If you are just starting out your filmmaking career, or you’re simply a hobbyist, there’s no need for spending thousands of dollars on professional light. You can do it on a budget with construction lights you can find at any Home Depot.
In this video, you’ll see some tips and tricks how to choose the construction light and put it to the best use. Also, you’ll see some great DIY tips for creating natural color of light and making your own lighting barn doors.
After building his amazing truck camera, Ian Ruhter went traveling across the US, taking huge wet plate photos. During the filming of a documentary about the residents in Slab City, Ian was attempting to make the world’s largest ambrotype. Actor Gary Oldman joined Ian on set and documented his process, as a colleague and a friend.
This collaboration and their friendship led to creating a short movie “The Carnival of Dreams”, the last installment of Ian’s Silver & Light project. It depicts the bond between colleagues, friends, loved ones and soulmates. It also shows the process that takes place within this journey, the stories of people they’ve met in Slab city and the amazing ambrotype portraits they made.
We’ve all seen bags before that feature things like built in white balance or exposure tools. My Lowepro Slingshot, for example, while not neutral, seems pretty close to 18% grey when I open up the flap. Perfect for quickly metering while out and about. But what about a built in reflector? Well, that’s the new Flash Bag.
The Flash Bag is essentially a messenger style camera bag. When you open up the front flap, it turns into a shiny metallic silver reflector. It doesn’t seem large enough to use as a full time reflector for many shoots, and it’s probably not the most ergonomic of reflectors for regular use, either. But, it could be handy in a pinch.
The chances are as a photographer that you pay close attention to light and colour, even if you don’t have a camera in your hand. It’s possible then that you might have noticed how your colour perception changes as the light fades.
It’s self-evident that we have no colour vision in the dark. You only have to wake up in the night, give your eyes a moment to adjust, and see for yourself.
But have you noticed how anything that’s red, or perhaps yellow or orange, tends to appear more dull as the light fades while anything that’s blue looks more vivid?
That’s because human vision is dependent on rod and cones cells within the retina. Cones are responsible for photopic vision, making them active in well-lit conditions. Rods, on the other hand, are responsible for scotopic vision, or when it’s dark. Cone cells are capable of detecting colour, whereas rods are essentially colour blind but more sensitive to light at the bluer end of the spectrum.
Since debuting the Light L16 last October, it’s a product that many have been following with interest. Some see it as an interesting concept that’ll probably end up being vaporware, while others can’t wait to get their hands on it and see what it may hold for the future of photography.
The latest round of announcements from Light show that the L16 is well on its way, and will actually feature a couple of improvements over its initial spec sheet, including more storage and a wider focal range.
Nine times out of ten, I would rather shoot with natural light. But no matter how prepared I am or how keen I am on picking out the perfect moment, the reality is natural light sometimes needs a little assistance to capture the vision I have in my mind. It’s at times like these when I do my best to combine the best of both worlds: natural light and flash.