An inventive UK based photographer has devised a light painting method that has been yielding him some pretty spectacular photographs. Combining long exposure techniques and inexpensive LED lights, Martin Kimbell, is able to create geometric (and 3 dimensional) spirals of light that make it look like a scene straight out of a sci-fi movie.
There are so much possibilities when mixing flash and light painting together, and so many great photographers out there that have done amazing things with this technique, so here is a basic photography tutorial on how to mix flash and light painting in one exposure.
Me and some friends were practicing our photography with cars and wanted to shoot his Porsche. We were only shooting the car inside his garage and didn’t have a studio that can fit a whole car so we did what we could. We tried shooting the Porsche with studio strobes and a couple of speedlights but we also wanted to do something different.
Long time ago, when I started playing around with light painting, I light-painted my guitar using a piece of flashlight. I thought it would be really cool if I used the same technique only using a really big subject (say, a Porsche) and a really big light source. The results are spectacular, and this is definitely something you can try at your own garage. [Read more...]
Photographer / Light painter Patrick Rochon (previously) released something that is on the intersection of photography and general art. The series is called Radiant Light and it was created using tools that Patrick designed.
Here is the description of the series: [Read more...]
Photographer Jason D. Page (previous) created the Icons series, where he photographed, or actually light painted a series of icons. Each icon was cut into a stencil and then was light painted in 5 similar (but not exact) variation. The results, including icons like Bill Clinton, John Lennon, James Dean, Merlin Monroe and a few others are quite trippy. [Read more...]
I don’t think there’s a whole lot of debate over the premise that Photoshop has become the gold standard in photo editing software. I’m pretty sure that my earliest use of Photoshop goes back to Version 3 or 4. Now deeply entrenched in CS6, I’ve decided to sit tight for a while. If I actually stopped to think about the relatively small percentage of PS’s full functionality that I actually use on a daily basis, I might also have to stop and ponder why I’m not still using an earlier version. Features have obviously evolved over Photoshop’s lifetime, but much of my workflow remains the same. So, in the absence of some huge development that I just can’t ignore, PSCS6 and I are doing just fine together for the time being. Also, while I see the potential benefits of The Cloud– immediate updates, etc.– there’s still a part of me that remains more than just a little pissed off about the new subscription format. There seems to be a new deal every time I turn around, and nobody seems capable of giving me a straight answer to the question of how much it costs when the discount period comes to an end.
It would seem that I’m not alone.
Using the image above, which was inspired by Disney’s Little Mermaid, I’ll walk you through how to employ an artform called Computer Generated (CG Photography) to create a powerful, surreal image. For the record, I have no purism in my personal style of art. I’ll use whatever I can to create the look that I’m after. I love to blend photography, illustration and 3D together to create something that doesn’t exist in the real world. It’s also worth mentioning that this image spent about a year as a showpiece on the homepage of Photoshop.com and Adobe used it in their keynote presentation when they announced Photoshop CS6. [Read more...]
Imagine taking a road trip from Montréal to Nevada and trying to capture that experience in a non trivial way.
That is what Eric Pare did in his WindScale project. Eric and his travel companion Marie-Line drove from Eric’s home in Montreal, Canada to burning man in Nevada. The trip (a 4,200 km straight line) ended up being about 13,000 kilometers there and back. [Read more...]
We have shared many bullet time tutorials over the years, from high end, through crowd sourced to pinhole driven. This time I am happy to share a build made solely on Raspberry Pi and the Raspberry Pi camera module.
One of the simplest yet most used items in my photography toolbox is simple black granitle tile. I bought a small one 3 years ago and I am still using it today. I have a small tile that I bought for $4 and a bigger one that I got for $20. Other people use plexiglass or just a simple glass table for this kind of look.
Normally I use the granite tile for my product or still life shots. Here are just some things that you can do with the granite
tile. [Read more...]