One such license is the WTFPL—better known as the Do What the F*ck You Want to Public License. [Read more…]
Nobody likes having their creative content stolen, and everybody wants to be paid for their work.
While file sharing has altered the power dynamic of the music industry – the music industry did successfully blow up Napster (if you’re under 30 you probably don’t recognize the name Napster – but its rise and fall was a big deal in the evolving world of copyright as the internet gained popularity).
Facing a similar fate at the hands of film studios and TV networks, YouTube initiated their “matched third-party content” system – which automatically identifies copyright infringement of both video and audio content, and automatically restricts or blocks content that has been distributed without a valid license from the copyright owner.
But, what is really interesting about YouTube’s “matched third-party content” system is that copyright owners can monetize their content when it is distributed by other users.
Journalism and photography are the last outlets of rampant online distribution without compensation – but a YouTube style “matched content” system could be a very simple way for journalists and photographers to finally be paid their fair share for the reproduction and use of their work.
Here is how 500px describes the service:
As one of the first external Chromecast photography partners, 500px integration will bring our community into 20 million+ Chromecast users’ homes today, giving them the ability to display a curated collection of featured 500px photos on their high-definition TVs, and discover the photographers who took them through the attribution links.
However, there are two sides to this story.
On one hand, HD TVs are essentially just another digital screen (does anyone still actually watch “TV” on a TV?), so extending the 500px collection to TV screens is a powerful extension of the reach of the 500px community – from computer screens, to mobile devices to tablets to TVs.
On the other hand, Google is selling Chromecast hardware for $45 a pop and streaming copyrighted creative content to their users – with no monetary compensation for content creators.
To better explain the arrangement and what it means for photographers and 500px users, DIYPhotography.net presents the following exclusive interview with Nuno Silva the Director of Content and Marketplace at 500px:
In an announcement made on the camera maker’s website, GoPro shared it’s latest venture content licensing portal. GoPro says the service is geared towards “high production value content” which they hope will also eliminate “the pain points creative professionals have when sourcing content by helping them clear copyrights and likeness rights”. [Read more…]
Mom-tographers? Spray and Pray’ers? (P)rofessionals? Guy With A Camera? Fauxtographers? Uncle Bob? iPhoneographers, Glamor Shots by Deb?
Yesterday, Microsoft and Canon announced a new broad patent cross-licensing agreement, which will essentially grant the two giant companies licenses to each others patent portfolios.
While Microsoft and Canon have been known to partner up in the past, this time around the situation looks pretty different. There’s a number of reasons this agreement took place, and the top possibilities revolve around the mobile industry. Microsoft and Canon may not have disclosed the terms of the agreement, but they did mention that “certain digital imaging and mobile consumer products have been included in the agreement.”
With Microsoft’s recent business ventures with Nokia, the patent agreement may very well be the beginning of an involvement by Canon in Nokia’s Windows Phone line. With how heavily focused the mobile company is on its smartphone cameras in the Lumia line, Canon would be a great company to get support from.
I’ve always been very detail-oriented. That might be why I get so frustrated when I hear photographers using important terminology incorrectly– particularly when it comes to terminology that has a direct impact on their income and overall bottom line. I meet photographers who tell me they are editorial shooters when they are actually commercial photographers. I meet some who think they are commercial photographers when they are actually retail photographers. One photographer recently had the cojones to tell me, “I know I’m not really a commercial photographer, but it sounds cooler, so I go with it.”
When the shock of such an intensely ridiculous statement had finally worn off, I got to thinking about how the labels we use affect not only our views of ourselves and each other, but also on our clients’ opinions and expectations of us, as well as the licensing and use of our images.
When David Hobby lets loose on a rant, it’s worth listening. I mean, he’s usually a pretty reserved guy, but in a recent post on Strobist, he really lets the National Association of REALTORS® have it for asking permission to reproduce his work in exchange for credit (otherwise known as free).
If you’re a photographer with your photography online, you have probably experienced a request or two to use your own work for free.
In this article, I will discuss three tips that you can use to get paid for your photography.
Y’all gonna pay for that photo right?
JP Danko is a commercial photographer based in Toronto, Canada. JP
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
JP’s photography is available for licensing at Stocksy United.
Gannon Burgett is a photographer from Marion, Indiana. "Striving each day to make my dent in the universe"