Domenico Sellaro is a rising talent! A young Digital Artist who specializes in Creative Retouching, and Matte Painting. He began to teach himself Photoshop in 2008, but has since taught himself how to use 3D programs like Sculptris and Blender too. During these years he has been selected for international exhibitions, become featured in the Wacom gallery online, and received features in international Photoshop magazines. He is now Founder and CEO at The Creative Dot and he’s working as Freelance Digital Artist for some clients from Europe and other countries.
Today I’m here with Kyle Cong running through his approach on shooting out on location with strobes and how he finds them!
When it comes to photography, Photoshop, and all things related, I tend to lean towards the stylised work. Not just my own, but in people whose work I admire. So I am pleased to bring you the work of Mark Rodriguez a.k.a Godriguez. I always hear people complain that they don’t know how to find inspiration, or can’t find it. Well Mark must have stolen their share, because it feels like every other day a new image is released on his social media. If there is such a thing as an inspiration tree, Mark has silently ripped it from the ground and hidden it in his wardrobe! Maybe this was his secret to winning 2015 Photoshop world Guru!…….or maybe it was just his amazing talent, meh, I prefer the tree story haha. [Read more…]
Last week I had the absolute pleasure of chatting with Peter Hurley for the better part of an hour in order to try and scratch a little deeper into his life, find out what drove him, what keep his motors running, his passion and drive seemingly endless.
What do you think about Lensbaby? It’s kind of a odd chicken, right? On one hand, they are making $100 “cheap toy lenses”, but they they started making “object of desire”, high end $500 lenses. This change is fascinating, and definitely shows a change in how Lensbaby is perceived (by photographers, but also by itself).
We sat down with Ken Mitchell, Lensbaby president for a chat during Photokina 2016 and listened for some of his insights and his plans for Lensbaby as a company.
Forged from rock and steel in the welsh valleys, photographer Ian Munro brings to photography a determination and dedication to keep inspiring viewers with his conceptual storytelling .
His images blur the lines of surrealism and humour. Frozen in time, with shades of Georges Méliès, and mad genius, he creates large sets, sometimes building them from scratch for his models to act in.
You’d think that recording a simple conversation would be quite straightforward. But it’s not as easy as it often looks. If you want to add a little drama you need to put some thought into it.
This video from CinematicJ is primarily aimed at those shooting some kind of dramatic conversation scene for a movie. But, you can also apply some of the techniques and suggestions mentioned in other filming situations.
Interviews are one of the most common video subjects that most people will shoot. Even if it’s not a regular thing for you, an interview is pretty much a certainty at some point. They’re pretty easy to shoot, but there are pitfalls that can catch you out if you’ve not done it before.
In this video from Wolfcrow, filmmaker Sareesh Sudhakaran walks us through the process of how he sets up for interviews. He talks about the things to watch out for, as well as how to eliminate problems that may arise.
At the moment the UK has a movement of dark art and conceptual artists growing from a love of movies and Photoshop. Their work is creeping its way on to more commercial mainstream sites like Behance, and starting to make an impact, amongst the more straight cut photography. One pioneer of this movement is Matt Seff Barnes!
Matt is a self taught digital artist, and the founder of the Dark Realm Collective – a group that he formed. The Dark Realm Collective enables him not only to marry his love of digital art and the macabre, but also afford him the opportunity to work with some of his influences from the digital art world. Matt’s artistic inspiration comes from many mediums, one of which film which is probably his greatest source for ideas and inspiration. Most of his work is created using photographic material, taking stock photography and twisting it into something dark and edgy.
Forget Mr.White, today we’re Breaking Clay!
I am a long time follower of Clay Cook, and one thing that always amazes me is his softly lit group shots. I mean soft light for one person is easy, but a group is a whole other story. I sat with Clay (well, virtually sat with Clay) and asked him about his workflow.
Hey Clay! I can see a lot of interesting factors here that I think the readers will want to know about.
Let’s start top and work our way through.