We are our own worst critics. This much we know. The problem is, photography is one of those things where we have to be self critics to get better. Finding that delicate balance between beating ourselves and being too easy on ourselves is a problem we have all struggled with in one way or another. But, as Mike Browne explains in the video below, we’re probably making it more difficult than it needs to be. Listen as the award winning photographer and educator dishes out his synopsis on why hating the photos you take is preventing you from getting better and what you can you do to fix it. [Read more...]
I started photography about 6 years ago. I was doing a 365 day project in flickr when I saw all the great strobist shots people were taking. I wanted to give it a try but I only had one sb-24 speedlight (it’s a 1988 flash) and no light modifiers whatsoever so I needed to DIY my own lights.
I remember the first DIY project that I made, it was a 1 foot x 1 foot softbox made out of illustration board and tracing paper. After that I used a silver umbrella and a white shower curtain to create my own studio look and after that was history in the making.
So here are my 8 reasons why you’d wanna do a DIY project
There is a problem plaguing photography blogs, waiting in the wings, ready to ensure their demise. And, as all of you armchair pundits are excitedly clicking to the comments section to inform me of my blatant hypocrisy, allow me to save you the effort and admit right here: I know there will be multiple examples of hypocrisy throughout this post. Good…I saved you thirty seconds of valuable input. [Read more...]
Thorsten von Overgaard is a Denmark based portrait and documentary photographer a refreshingly humble approach to his craft. On a recent week long journey to Rome, Italy, Overgaard shared his insights with a team of filmmakers from Northpass Media to create this beautifully made mini-documentary about the philosophy that inspires the photographer.
The video clip is an winning exacta of inspiration and great photography. Of course, the latter probably has something to do with the fact that Northpass Media didn’t skimp on production. The team showed up in Italy with a RED Scarlet and RED Epic camera along with a set of ARRI daylight lamps to capture the footage.
You can do more gear gawking and take a behind the scenes look at some bonus photos Overgaard posted on his blog, but in the meantime take a look at his short film below…
Let’s face it, nearly everyone has access to a camera of some sort. While that sort of access can be seen as a good thing, it also has it’s downfalls. With everyone and taking photographs of everything they see, it seems nearly impossible to get noticed as a street photographer nowadays. Even if your work is really good. So when I come across an upcoming–and entirely self-taught- photographer with the natural talent Norman Eric Fox has, I feel like I owe it to myself (and to the photographer) to stop and really pay attention to the work in front of me. And what’s more, Fox, a Vancouver based street photographer, has an especially heartwarming story to tell.
If you are currently struggling with your art, your career path, your passion, this is a very good speech to hear.
If you never heard of Neil Gaiman you must not have consumed any content in the last 10 years. Neil’s been practically anywhere, from Books (American gods), Comics (Sandman), the movies (Stardust) and plenty of others.
Aside from being one of my favorite authors, Neil seems to have ‘wondered’ into success, rather than set a goal and charge forward. In this 20 minutes Commencement Speech at the University of the Arts from 2012 Neil pretty much throws the truth about being in the creative field in everybody’s faces, and he does it in the most charming way possible.
It’s confession time. I’ve been struggling lately with my creativity. The client work is fine. It’s the personal work– the stuff that’s supposed to satisfy my soul between the paid gigs– that’s taken a dip. I have a few theories, but a funk is a funk and sometimes the harder you try pushing through it the deeper it gets. Chances are I’m just over-thinking it. After all, we’re talking about art, right? You’re supposed to feel it, not think it.
When I was in high school, I started messing around with my dad’s DSLR. It was a Canon EOS 20D, and we had two different lenses for it. I started carrying it around and taking pictures of stuff I thought looked cool. Then I took whatever Photoshop skills I’d been accumulating since the 7th grade and started editing the hell out of everything I shot. It was an entirely new hobby for me, and I eventually started wanting to make short films and try putting together a portfolio.
If you thought that it takes the last word in gear to create incredible work, think Again. Ukrainian artist, Oleg Oprisco uses a $50 Kiev 6C and a strong vision to create photographs like you’ve never seen before.
Oleg was born in a the
small town* city of Lviv. He spent some time as a developer in a photo store and some as a photography assistant, but none triggered his creativity. The thing that eventually got the creativity out of him (though we suspect he was creative all along) was a getting a Kiev C6 camera – a medium format, 12 shots a roll, camera. Oleg shares that the fact that he only has 12 frames makes him carefully work on each frame.
The photos are amazingly created in camera, using props, styling and brave models, as Oleg notes. [Read more...]
While the American Civil War was not the first armed conflict to be photographed, it was by far the most bloody and gruesome up to that point. Considered by many to be the father of photojournalism, Matthew Brady was a studio photographer in New York who began cashing in at the outbreak of the war by specifically marketing portraits to families whose sons were leaving with no guarantee of returning home.
Eventually, Brady secured permission from President Lincoln himself to travel to the battlefields with the express purpose of documenting the conflict. Armed with a daguerreotype and portable darkroom, he set out to immortalize the realities of a war that not only shaped the course of American history but, de facto, the course of modern history. Brady’s exhibits and galleries, often filled with graphic images of rotting corpses on the battlefield, brought the realities of war to the home front for the mostly-untouched North. [Read more...]