An Insane Rig Of 50 EOS1DX DSLRs Captures Really Expensive Bullet Time Photos

We have covered quite a bit of bullet time rigs but even the really high-end ones usually use an array of GoPros which are not the cheapest way to get a good bullet time shot but is it manageable.

A collaboration between Swiss TV station and Swiss Canon upped the game by making a bullet time rig with 50 Canon EOS 1DX DSLRs (yes that’s a 5 followed by a zero). A single one of those bodies is about $6,800 so it totals up to roughly $340,000. Oh yea, they needed lenses too. Weapon of choice was Canon’s top notch 24-70mm f/2.8L II USM. Those roughly cost $2,100 a lens. So we are looking at an additional $105,000 of lenses, bringing the total (with some memory cards, cables and 50 bubble levels) to just about half a million Dollar’s worth of gear.

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Vela Lab’s Uber High Speed Flash Aims To Freeze Bullets In Mid Air

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Vela Labs developed an LED flash with speeds of up to 1 /2,000,000 of a second – the Vela One. This means that the Vela One is fast enough to stop a bullet in flight.

Vela Labs CEO, Matt Kane, told us that such a fast speed is obtained by using ultra-high flux COB LEDs, and overdriving them. My first question was how exactly can you push an LED so brutally and not damage it. Matt explained that the massive currents are delivered in very short pulses and do not damage or shorten the life of the unit.  [Read more...]

Photographer Brings $140,000 Camera Into The Ocean To Capture This Jaw Dropping Surf Film

 

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I have to admit, I get nervous enough just bringing my DSLR into the ocean even when I’m using a waterproof housing which cost more than my camera itself. Needless to say, it would be really difficult for me to slip into my wetsuit and take a $140,000 Phantom 4K Flex out for a little swim. In a housing I made myself, to boot.

Then again, I’m not Chris Bryan. Bryan, an Australian based sports cinematographer, has recently spent time in New York training to become a Phantom technician while also working closely with the camera makers to develop “his own unique custom light weight self contained underwater housing for the new state of the art Phantom Flex 4K, complete with Directors underwater video split.”   [Read more...]

For Tyler Shields Blowing Up A Rolls Royce Is Just Another Day At The Office

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Tyler Shields, the artist who made waves when his provocative Birkin Bag meets chainsaw project outraged fashionistas everywhere, is back at it, this time pulling at the heartstrings of luxury car lovers.

The Silver Shadow starts by showing an attractive and wealthy looking man carry a gas can across the desert to a beautiful lady standing next to an even more beautiful Rolls Royce. The shot gives the impression that the man is returning to rescue the lady by filling the swank ride up with a little gasoline, which it has appeared to perhaps run out of. But, then, no. He drops the gas can and the next thing you know the pretty lady is pouring the gasoline all over the exceptionally pretty car while the attractive guy pensively watches from the sidelines. [Read more...]

How to Take A Photo of A Pellet Colliding with A Water Droplet

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If you thought shooting beautiful water droplets is hard, how about shooting a water droplet colliding with a pellet?

Does not sound too trivial, right? At the end it has to do a lot with timing. In addition to you need to time the strobe and droplet, now you also need to time the pellet.

Maurice Ribble of CameraAxe did an entire walkthrough on how to make such magic happen in the video below. It is not a fast pace polish video, but rather a very meticulous detailed explanation and fine details on how the entire contraption works and how to make one yourself.

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Innovative Ad Campaign Introduces Borescope Camera Tech To Commercial Photography

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Innovation plays a large part in creativity and vice versa. When photographers are able to find the perfect balance of those two things, awesome ideas using unusual methods are created. Such is the case when Sedley Place was tasked with creating an innovative ad campaign for Diageo, the parent company of Smirnoff and Guinness. They decided on a “Liquid Landscape” theme, which would feature slow motion close up shots of frosty glasses of beer and swirling mixed drinks.

To be able to maintain a large depth of field while shooting moving liquids at macro ratios, the creators came up with an unorthodox equipment setup to capture extreme close-ups of frosty glasses of beer and mixed drinks. Using for a borescope camera, a type of camera used almost exclusively in the biological and science photography realms, the photographers were able to capture the mouth watering footage with very little loss of detail.

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Getting Started In High Speed Photography Without Breaking Your Budget

high-speed-tutorialIt takes a larger than usual pile of money to purchase all the gear a lot of professionals use for high speed photography. In many of our realities, the chance of us ever owning a Broncolor lighting setup is relatively slim. The good news is, you don’t really need a Broncolor to get started in business of high speed photography.

As the DigitalRev team demonstrates for us in the classically humorous video tutorial you’ll see below, you can still manage to pull off some pretty interesting shots using relatively basic gear. Armed with nothing more than a Canon 550D, a cheap 50mm 1.8 lens, a Canon 600 EX RT, and a Triggertrap Mobile Dongle they are able to capture some pretty sweet colored powder shots plus, they get to smash stuff with a gold club in the process.  [Read more...]

Watch Beautiful Flowers Get Annihilated By A .22 Caliber At 1,000 Frames Per Second

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If there is one thing I can appreciate more than the beauty of a flower in full bloom, it’s watching one get blown into oblivion right in front of my eyes. As crass as that may seem, it will make complete sense once you feast your eyes on this high speed footage Daniel Hurst filmed on a Phantom HD Gold camera. Take a look as he invites us into his studio with some behind the scenes footage of the entire process. [Read more...]

Scientists Announce Worlds Fastest Camera, Capable of Capturing 4.4 Trillion Frames Per Second

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Image Credit: Nature Photonics (2014) doi:10.1038/nphoton.2014.163

No, that’s not a typo. A team of 12 scientists from The University of Tokyo and Keio University, have developed a camera that is capable of capturing 4.4 trillion frames per second using a technology called Sequentially Timed All-optical Mapping Photography (STAMP) according to a release posted on Nature.com. According to the team, STAMP makes it possible for their camera to outperform current high speed cameras by achieving capture rates that are 1,000 times faster than any other known camera.

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