The Panasonic GH5 has an internal waveform and vectorscope, zebras, and you can check focus with focus peaking. Despite all this, it still makes sense to have an external monitor tacked on. Sareesh Sudhakaran from Wolfcrow suggests ten possible reasons why you still may need to use the external monitor when shooting with the GH5, and the principle also works with other cameras like Sony a7s II, Canon 5D Mark IV and so on.
The Photography Show is the UK’s biggest annual show. Held each year at the Birmingham NEC, it attracts all of the well-known brands, and a few newer ones. And while the main focus of shows now for me are the people I get to see and hang out with, you can’t ignore the gear. Because, like most shows, it’s packed to the gills with it.
DIYP went to The Photography Show 2017 last month, and we picked up seven of the most interesting products for your enjoyment:
When the GH5 was announced, there was a big deal made about its ability to shoot 10Bit 4:2:2 video. But there were a few issues. Mostly that it didn’t offer it in all resolutions and modes. The first of two planned firmware updates has now officially been announced. Available from April 24th, it offers 4:2:2 10Bit capture at 100Mbps for 1080/59.97p resolution, with 4:2:2 3328×2496 anamorphic at 150Mbps.
Also announced today is a new Micro Four Thirds lens. The Leica DG VARIO-ELMARIT 8-18mm f/2.8-4.0 ASPH and Lumix ZS70 / TZ90 20.3MP 4K compact camera. Taking square aim at the Canon G7X Mk II and Sony RX100 V, the ZS70features the same 30x optical zoom and 4K video of the ZS60. But, it also features a flip up selfie-mode LCD, an all new “Panorama Selfie” mode and more.
Video responses might be a thing of the past as far as YouTube’s concerned, but that’s not stopping Panasonic. There’s been a bit of talk around the web and YouTube since the Panasonic Lumix GH5’s release about its autofocus system. Well, Panasonic were listening and have responded. Surprisingly, that response comes to us via YouTube.
Lumix Luminary Joseph Linaschke (aka PhotoJoseph) reads the announcement in a video on his YouTube channel. It’s a fairly brief statement, which offers some recommendations for best results. Joseph also got together with fellow YouTuber and filmmaker Max Yuryev to do some comparisons. Two GH5 cameras, with different AF settings.
Back in 2009, I learned to shoot video on the now-classic Panasonic HVX200.
At that time shooting HD video to memory cards was pretty new in the video world. The HVX was released just a couple of years before the Canon 5d Mark II changed the whole video market. The HVX200 recorded SD (standard def) video to DV tapes, but 1080i recorded to Panasonic’s early flash storage, the P2 card. The problem was that our (only) 8gb P2 card could only store 11 minutes of HD video at a time at a cost of well over $1000! These days you can buy over 500gb of some of the fastest SD cards on the market for that for that much.
Panasonic Lumix GH5 is a camera many Panasonic video shooters were anxiously waiting for. We recently reported about it as it was released for pre-orders. The shipment starts in late March 2017, so you’ll have to be patient for only a little more while. But in the meantime, you can take a look at how well this camera performs in low light conditions.
This is the one that many Panasonic video shooters have been waiting for. And it seems to have many of the features they’ve been asking for, too. The Panasonic GH5 has a new 20.3MP sensor with no low-pass filter, new processor, dual SD card slots, and in-body stabilisation. It boasts the highest ISO capabilities of any Lumix camera, for outstanding low light shots. It also has a new 225 point AF system, up from the GH4’s 49 point AF, which can track moving subjects for both stills and video.
Previous big announcements with this camera included a couple of major attractions for video shoots. One was that it would shoot 4K video at 60 frames per second, and the other was that it would shoot 4:2:2 10Bit footage. It is capable of these, but not at all framerates. At 60fps, 4K video is 4:2:0 at 150mbps. At 30fps, it will shoot 4:2:2 10Bit at 150mbps. It can, however, do 4:2:2 4K 60fps over the HDMI. In the future, however, a firmware is planned to allow 4:2:2 10Bit with 4K at up to 400mbps recorded internally to SD.
The new Panasonic Lumix GH5 will record 10Bit 4:2:2 video internally, but what exactly does that mean? how will it benefit you? Isn’t video just video? Why is this such a big deal? No, video isn’t just video, and it means quite a great deal.
Fortunately for us, Filmmaker Griffing Hammond is here to explain. In short, it offers more tone in colours with less risk of banding in gradients. It makes it easier to chroma key or green screen your footage. It also makes it easier to correct and grade your footage with minimal loss.
Japanese site Nikkan is reporting that the Fuji GH5 is to come with 6K video. If true, this is very exciting and completely ridiculous. We’re only just getting used to 4K, and even most of that is being downsampled to 1080p. So, why might one need a 6K camera? Well, as more and more 4K TVs get into the homes of the general public, we’re eventually going to need to deliver 4K content.
Shooting 6K footage for 4K delivery will increase quality. Just as shooting 4K today and scaling down to 1080p provides a better result than simply shooting 1080p. It also provides extra options in post for panning & zooming, or stabilising footage. But, is it too good to be true?